Karl M. Karl M.

Fraver - Artifact

Review by Karl Magi

Overall Album Impressions

Fraver’s Artifact takes listeners on a shadowy, dramatic adventure as the intergalactic hero strives to obtain a potent, mystical artifact before it falls into the wrong hands. Fraver uses his synth and guitar palette to paint intricate, exciting imagery and draw listeners into the tale he’s weaving. I find myself wrapped up in his auditory storytelling.

Each instrumental element on Artifact is well-judged to create a specific mood, sonic feeling or energy level. Fraver can wrap the listener in seething darkness, touch their heart with sparkling light and evoke a ferocious space battle as he deploys his auditory arsenal. I find myself absorbed in his tale as he tells it in tone, timbre and texture.

Another reason I am drawn into Artifact’s world is the melodies that Fraver writes. His melodic abilities evoke triumph and tragedy, melancholy and joy as the story unfolds throughout the album. I enjoy the way in which he uses melody to carry the listener along. Each melody reveals another aspect of the storyline as it is woven for us.

I also enjoy the atmospheric nature of Fraver’s music. Each track creates a sensation of being immersed in the atmosphere of the places and experiences that Fraver evokes. I lose myself in the imagery that forms out of all of the musical layering and depth that fills Artifact.

My Favourite Tracks Analyzed

“Feel It” beings as heavily throbbing bass intensifies in volume and intertwining, darkly shaded synth trembles. Intimidating bass dominates rebounding kick drum and ticking snare drum that form a guiding pulse. Keen-edged synth carries a roaming melody with a mournful quality above reverently glowing notes.

Sharp guitar slices in, also carrying a pained melody while bass rumbles and drums reverberate. Clean-edged synth flashes brightly, carrying the wandering melody before a guitar cuts in with jagged edges. Distantly drifting synth moves behind the guitar above the guiding low end sounds.

Elevated synth slips through, feeling uncertain and lost before the guitar makes a cutting path through the music. The pleasing main melody floats in again, full of disconnected and aching feeling as the lacerating guitar contrasts with it. The track ends as it fades out on string-like sounds.

Razor sharp, slowly shifting bass moves with angular power into open space to start “Running Away.” Clapping percussion briefly touches the track while chest pounding kick drum pulses. Smoothly gliding, cosmic synth pulses glide, effectively creating contrast with the other sonic elements sharper signature.

Rising, swirling synth drifts over open-voiced percussion as bass oscillates below it. Brassy, minor key synth bursts out in a majestic melody, tinged with shadow as bass motion and guiding drums shape the music. The noble main melody is imbued with an adventurous feeling as hollow sounding arpeggios spin. Drums keep on pulsing far below and the bass undulates easily.

There’s images of sailing across open space for me here as the elevated synth shines with starry light. Hollow drums keep up their motion as the muscled bass heaves and a darkly echoing sound drifts. Gigantic bass oscillates as the main melody shifts through with radiant light and sweeps into quiet.

“Arrival” opens as towering, rough-edged bass growls below resonant, string-like synth notes floating into open space, lost and full of sadness. Reverberating, medium-high synth drifts above the dangerous sensation surging below it.

Round-sounding, triumphant synth soars out, carrying a melody that radiates victorious feelings. The main melody bursts out and the bass pounds before launching into a charging throb along with heavily colliding drums. Distorted, twisting synth carries the melody before slashing guitar cries out, exuding enjoyable strength above the drum and bass heartbeat.

Gleaming lead synth repeats a broadly drifting note pattern accented by blinding synth light. Once again, the guitar cuts into the track with deep power while glittering lead synth flickers out above the hard-hitting bass.

Panpipe synth fills the track’s open space with cosmic, floating notes to begin “Electromagnetic.” Metallic, raised synth pierces the track and punching, driving drums and bass propel it. Gruff, medium-high synth carries a yearning melody out over chest thumping drums and growling bass.

The guitar cuts in with a sharp tone, adding force to the main melody. Underneath it all, drums throb and bass seethes as tinkling synth notes add shine while delicate sounds drift. Bass grows ever more Stygian as the drums pound. Thunder rumbles and rain patters as panpipes flow with ear-pleasing, ethereal sensations.

Medium-high, shining synth carries the melody as it reaches out while the brittle guitar rakes through the music, full of intensity. Elevated sounds have a slicing quality that cries out far above the bass tide while reverent synth glides and silence falls.

“Rise To The Stars” commences as agitated bass pulses move unevenly while swirling radiance fills the background. Colossal kick drum is joined by an evenly guiding snare drums. String-like synth plays a tension-filled, orchestral melody that contrasts well with a warmer feeling in the music.

Threatening bass surges and drums throb with crushing weight as a tripping synth pulse shifts. Nervous, rapidly vibrating synth adds uncertainty as panpipes burst in minor key notes, feeling uneasy and detached. The main melody combines shadow and motion while drums add form above deadly bass.

Galactic sounds move through and glistening synth carries a pained melody. Underneath everything else, void-deep bass enhances the music’s darkness. The main melody feels hurt as it slips above vast depths while off-kilter sounds skip through. The track ends on string-like synth carrying a melancholy melody while drums and bass intimidate before silence falls.

Spaced out, drifting synth chords glimmer and move in as coruscating light pours from elevated synth above solidly pulsing bass to start “The Chase.” Broad-sounding, trumpeting synth carries an ear-pleasing, victorious melody out over bass oscillation as high notes glisten.

Ferocious, biting bass supports the driving percussion to launch the track. Brilliantly shining synth carries the main melody’s proud triumph above titanic, cutting bass and aggressive drums. Undeniable ferocity permeates the track’s low end. A half time segment comes in as ragged synth slowly fades. Now chimes flash out in a sparkling pattern as tranquil notes glide.

Bass oscillates and silky lead synth slips carrying a relaxing melody. The drums hit hard again and growling bass keeps the music in motion. Above it all, the main melody exudes mastery and strength while a guitar dances in now, flickering as the low end slams on.

“New Guns In the Cyber-Arms” begins as harsh 8-bit sounds rise in pulses and churning bass pounds as the digital sounds climb. Super Synthesaurus creates a raging guitar tide that moves below warm notes drifting down to form an interesting contrast.

The drums and bass are an overwhelming, almost physical force as they smash into the music. Digital-sounding synth adds another sonic layer above the guitar maelstrom as drums and bass ram forward.

Again descending notes flit past and thunderous guitar lacerates as 8-bit sounds shiver with a tremulous feeling. There is undeniable power that dominates every aspect of this track.

Angular bass flows in pulsing motion as raging guitar drives in short bursts, open-sounding drums tap and gargantuan bass oscillates to open “Cosmic Darkness.” The guitar cries out with a doom-laden melody as a rounded synth chorus slips past and bass surges below.

I’m drawn to the angry, threatening main melody as it unfolds. Bass heavily throbs and more gentle sounds float past in contrast. The guitar is accented by creaking, digital sound as hollow drums throb. Expressive, medium-high synth carries a caressing melody, in contrast to the guitar's absolute rage.

Percussion shapes the music and muscled guitar shifts. Now the lead synth flows delicately while ethereal notes shift an the guitar slices again. A more dynamic melody is carried by sailing synth while the low end drives on. The guitar adds dangerous force before the track ends on tender notes.

Conclusion

Fraver’s Artifact is one of those albums that transports me. I find myself soaring through the stars, outrunning the villains and making a mystical discovery with the album’s hero. Throughout it all, the shadows grow and I wait with excitement for the tale’s climax.

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Karl M. Karl M.

L’Avenue - Club Tropez

Review by Karl Magi

Overall Album Impressions

L’Avenue’s Club Tropez paints images of sultry tropical nights, moonlit beaches and passionate dance floor motion as it unfolds. Intricately interwoven sonic layers interact with reedy sax and jazzy, complex synth solos to create ear candy. This album manages to soothe and energize simultaneously.

The way in which L’Avenue uses the synth palette on Club Tropez results in dense, satisfying sonic layers. He mixes smooth glide with dynamic motion, contrasting glow and bass depth while keeping everything silky and luscious. Clarity is paramount, but there’s a roundness to the music that I enjoy.

Auditory imagery is a crucial aspect on Club Tropez. L’Avenue fills this music with tropical sensations and tranquility leavened with energy. Each track illustrates scenes of relaxation, passionate nights and luxuriant life. The way in which this album transports me from the world is deeply engaging.

I’m drawn to L’Avenue’s effective collaborations with sax player Alex Bone and synthesist Marco Casanelli on the album. Both guest artists fit seamlessly into the chilled out vibe of the music and their contributions serve to intensify the album’s overall feeling.

My Favourite Tracks Analyzed

“Club Tropez” comes to life as sweeping, flaring synth slips cleanly along with distant voices as vast bass pulses and clapping percussion ticks along. Dance floor friendly drums and pulsating bass drive the music as gleaming chimes flicker out above the supporting heartbeat.

Luminous, string-like synth carries a soothing melodic pattern delicately out over the track’s low end. Balmy synth carries a calming melody as piano notes ring out to boost the track’s energy. Evenly throbbing drums and bass add form as hollow percussion trips along with taut, elevated synth.

Female voices ring out and metallic percussion trembles. The pleasingly crafted melody exhales summery peace and rippling, open-sounding synth drifts. Muted, misty notes glide out into silence.

Huge drums rebound as elevated, open-voiced synth trips in flickering lines to open “Wildstyle.” Muted drums bounce while unctuous, glistening synth flares out, adding intense shine above richly swirling bass.

Chimes sparkle as they carry a lightly touching, peaceful melodic pattern above the strong drums. Underneath it all, bass forms a lush support while radiant synth trips in a rapid note pattern above bursting, hollow drums.

Enjoyable calm suffuses the music as effulgent synth exhales brightness. Now tremendous drum weight bursts in along with bass strength. Angular, medium-high synth trembles as varied percussive sounds form a unique flow above the track’s low end. There’s a feeling of rippling water within the percussion before the track ends.

“Limousine” begins with a brushing hiss as easily floating synth clouds give off hazy light. Hollow synth flows along with softly tapping drums and a laid back bass upwelling. Diffused, distant synth contrasts with flaring notes while drums and clapping percussion provide shaping elements. Flitting chimes dance briefly and raised synth adds more gleaming illumination while distant voices echo out.

Radiant synth carries a charmingly peaceful melody, full of cosseting sensations. Solid drums rebound and creamy bass wraps around them to add support. Intriguing percussion contributes texture as it cascades and rattles. Rounded synth chords add a fulfilling feeling as drums keep ticking. An elevated synth pulse further shapes the track.

String-like notes dance out with intense shine and now Alex Bone's sax cries out, carrying a melody exuding chilled vibes and a luxurious feeling. Quickly flaring notes add glinting shine and string-like synth uncurls through the music.

Open-sounding percussion tumbles past and Alex Bone's sax brings passionate emotion and a jazzy, ultra cool sensation. An airy shakuhachi sound floats off in the distance to add another sonic layer. This track is overflowing with a pillowy, relaxing sensation that fits its title well.

Thunderous drums rush briefly before gently glittering synth, solidly popping percussion and actively swirling bass move in to commence “Body Rock.” The drums create an unevenly rebounding percussive pattern while spinning synth moves past and slap bass jumps in.

Deep, succulent synth chords bring weight to the quickly moving arpeggiations while soft-edged synth flows. Horns cascade briefly while the drums leap in rushing lines. I enjoy the way in which the drums add depth and strength below the trembling synth cascade.

Marcello Cassanelli’s widely roaming, intricately dancing sax-like synth radiates dynamic energy and life. Massive drums reverberate and angular synth skips with slightly jerky energy before ending the song.

“Breakin’ “ opens as dry sounding snare drum taps while gruff bass pulsates in quickly vibrating lines. Chimes echo with a melancholy quality, feeling a little pained as bell-like percussion plays a distant samba rhythm.

Glistening chimes tumble, conveying a lost Rough-edged bass actively adds power below the ethereal high notes. There’s a bending quality in the smoothly elevated synth that slips past. The track moves into a segment in which bass blocks interlock with the snare drum and bell percussion while siren-like sounds howl and voices move.

The track sails pleasingly into a pastel mist before Marcello Cassanelli’s jazz-inflected synth solo flutters intricately through, adding interest. Fragile notes brush through and crystalline chimes ring again above the gigantic bass and tapping drums before the track ends.

Diamond shine pours from climbing synth lines as percussion snaps in to kick off “Tour De France.” A flat snare drum adds a dance beat as angular bass slices below an actively arcing, chiming synth pattern. Medium-high, broadly gleaming synth sweeps into the music while arpeggiating, coruscating notes flicker and rich sounds exhale.

Voices cut in briefly as smoothly rising synth slips upward and gruff, angled bass slides under sun-bright notes. Below the other sonic elements, heaving drums and bass push on. Water flows as twirling, glimmering arpeggios spin out while metallic percussion adds intriguing textural contrast. Breathy notes exhale and the higher synth intertwines with them. Elevated, intensely glowing synth imbues the track with glaring luminance before the music fades away.

Conclusion

Club Tropez is excellent music for chilled out summer nights. L’Avenue’s music carries the listener away on an incredibly smooth, aurally complex journey. The album is totally relaxing without being even the smallest bit boring. L’Avenue makes music that soothes while keeping one’s ears very happy indeed.

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Karl M. Karl M.

Oceanside85 - Love Warrior

Review by Karl Magi

Overall Album Impressions

Oceanside85’s Love Warrior carries listeners on a journey through the complex emotional terrain of love, hope, loss and pain that unfolds over the course of an intense relationship. Along with a plethora of respected producers on the synth scene, Oceanside85 creates music that touches, motivates and engages listeners throughout Love Warrior.

Perhaps the most potent force on Love Warrior is Oceanside85’s powerful voice. She can use it soar to great heights, seduce with throaty expression and fill the listener with aching pain. In combination with the emotional depth in her lyrics, she draws me in and carries me along on the exploration of affection, anger, yearning and passion that fills the album.

Each of the many producers with whom Oceanside85 collaborated on Love Warrior imbues the music with their own unique style. There’s a smooth flow from song to song, but each retains the freshness of the producer who helped craft that track. The end result is an album that feels of a piece while still allowing the various producers to showcase their own talents.

I also find the depth of feeling and humanity in the album to be compelling. Oceanside85 shows no fear in laying bare all of her emotions and sharing them with the listener. I felt a tide of heartfelt expression pouring from the music and keeping me fully interested and touched.

My Favourite Songs Analyzed

“Once Upon A Time” comes to life as monumental bass trembles and quickly flowing synth pulsates. Big drums smack into the track while the energizing vocal melody is pleasingly carried by Oceanside85’s intensely expressive voice. Heavy bass thunders in angular motion as bell-like notes flicker out.

Oceanside85 has deep feeling in her voice while Personality’s production weaves beautifully swirling synth around it as heavy hitting drums and bass press on. Rapidly flickering high notes flash while Oceanside85 sings the impassioned vocal melody.

The track flows through a drifting segment in which bass slowly pulsates and gigantic drums hit hard. Oceanside85 emotes with strength, crying out the dynamic vocal melody as elevated, string-like notes trickle before silence falls.

The storyteller says she “don’t waste no time” as she asks the song’s subject what they’re up to. She points out that “you told me you’d be there all my life!” She goes on to confront the other person about lying to her. Our storyteller says she wanted to feel alive but “you took it too far and you made a bad choice baby.” She says that the other person’s actions don’t “blow her mind” if they don’t give her what she needs.

Our narrator tells the other person not to waste her time and to “shut your mouth with all that fakeness.” She says that she has been devoting all of her time and her life to the song’s subject and they can’t even bother to get her flowers. Clearly the other person doesn’t see her worth because "it shines so bright, you are blinded at the sight of my soul.” It keeps her awake and causes her to break down. She points out that she is “so special” and is being ignored.

Again the storyteller questions why the song’s subject is wasting her time. She says that they told her that “you’d love me all night baby” and asks what the story is. She asks the other person to kiss her, to “do me right, take me tonight babe.” She asks them to help her feel like she’s not drowning. Instead she points out “now I’m faced with this shit” of the other person wasting her time.

Expansively flaring synth rises as medium-high, glistening notes delicately flow to start “Moving In The Shadows.” Towering retro drums jump, solid bass flows and the elevated, shining synth adds an encouraging melody. Oceanside85’s potent voice carries an uplifting vocal melody out over driving drums and rich bass.

Glowing synth dances as Oceanside85 lets her voice soar out and glimmering accents flash through above massive drums. Elevate The Sky’s guitar playing skilfully adds life and power as it leaps out. Oceanside85 voice chorus climbs up with impassioned strength while chiming notes flicker with positive energy.

Elevate The Sky’s guitar carries a wheeling solo, bursting with joyful life as it flies above brightly rippling arpeggios that shine into open space. After a launching sound, the chorus jumps forward, carried by Oceanside85’s heartfelt vocals. The guitar adds speed and power above the gigantic low end and sparkling notes flit through and silence falls.

This song’s narrator points out that “this world tries to stress us” but the two of them can’t be broken. They are safe as long as they move in the shadows. Their “lost hearts always searching” as they are driven by temptation. Our narrator wonders if they can keep things moving “hiding in the night.”

In the chorus, the storyteller says day to to distractions get to her and she talks about how she and the song’s subject will “let the distortion fade away” while they move in the darkness. The curse to break up won’t shake them and the people seeking them won’t find them because “we’re moving in the shadows."

Affection fills the narrator’s expression as she talks about how it is the other person’s heart, touch and love she feels along with “your chest when I lay my head down.” She goes on to talk about the “warmth I feel in my soul” and how she can’t let the other person go. She asks them to sit wth her so she can “heal your broken wings” and show them love’s magic.

“Can’t Sleep” begins as colossal bass flows below drifting, ethereal synth with as airy notes glide. Oceanside85’s voice evokes loss in a touching way as it carries the pained vocal melody and metallic sounds heave. Open-voiced synth trickles through and Oceanside85’s voice captures bereft uncertainty.

The vocal melody is unmoored and deep with hurt as the delicate, rounded synth notes flow through open space. Dominant bass glides and metallic percussion echoes to shape the music. Oceanside85’s voice is full of need as the vocal melody curls through the lush flow around it.

Wind sweeps and trembling synth lines shiver while Oceanside85 imbues her singing with emotion. Rippling synth notes wander as a thudding drum adds shape and swelling bass supports it. The song ends on sparkling chimes ringing out along with Oceanside85’s voice carrying emotional weight.

Our storyteller speaks of laying in bed and “looking for a way out.” She feels alone as the home she built with the other person has been destroyed. She says that the song’s subject couldn’t see that “I was worth my dreams.” She says the other person “started in” on her and now she’s gone and they can’t sleep.

The narrator goes on to say that the other person felt as if they were owned because they needed “a different kind of love” and the two of them grew apart with separate needs. She says she couldn’t be what the other person needed because it hurt her. While she wanted them to be happy, “you were happy without me, that broke me internally.”

She can see the song’s subject clearly and she realizes they weren’t really who they appeared to be and they weren't able to return her love. Even when she was sitting next to them, telling herself jokes “you were far away.” All of her affections were ignored and “you didn't even smile ‘cause you didn't love like that.”

Now the storyteller says she needed just “a little care” along with some attention. She asks the song’s subject where they’ve been. Even though “you were so damn mean” she can’t sleep with them gone. She goes on to say she needed them “more than anything” and now she suffers sleepless nights. The storyteller concludes “Do you feel you betrayed me? I’ll never know now.”

Lusciously flowing synth and bass depth are joined by raised, tender notes to open “These Games.” Medium-low, broad-sounding synth glides while Oceanside85’s voice carries a caressing vocal melody. Starry synths flicker while resonant kick drum heaves.

Turbo Knight and Time Travel create an engaging musical environment in this song. Oscillating bass and bursting snare drum form a heartbeat below the vivid vocals, carrying a fragile melody as high synth notes add cosmic glow. Oceanside85 skilfully imbues her voice with need and yearning as wide-sounding synth echoes out, carrying an equally emotive melody above the drum and bass pulse.

The song flows into a segment in which Oceanside85’s voice roams while synth motes shine with tender light. Glittering synth twirls above the vocal melody's thwarted affection as tremulous, medium-high synth carries a soothing melody as big drums pulse and Oceanside85’s voice distantly flits before silence falls.

The narrator says that the radio is “playing our song” and she and the other person can dance through the night. There’s a note of caution as she talks about the “dangerous game” they’re playing as they fall “through this maze of love, a labyrinth.” Now she says that she is tired of playing games and her love for the other person was eternal. She asks “Why wasn’t I good enough?” She adds that all she wanted was the other person’s love.

Our narrator has been up all night looking at the moon and pondering what they might have done “to make it through.” Now she’s alone and there’s no answer from the other person. She points out that all she wanted was “you and me ‘til the night was through.” The narrator adds that she doesn’t want to be played by the other person who doesn’t realize what they are missing.

“You took it and threw it all away” is how the storyteller continues. She says they play dangerous games when “ love is watered down that way” and when they have deeply entangled feelings. She says that the other person threw years away and she won’t waste her time. She asks why the other person couldn’t understand “I was worth the love I needed.”

“Pretender” kicks off with massively heaving bass, scattershot drums and jacket creates a mixture of broadly flaring synth carrying mournfully drifting notes to intensify the emotion in the music.

Oceanside85’s touching voice carries a flowing melody that glides with ease while drums burst and sharp-edged bass rumbles. Trickling, rounded notes complement the vocals as they soar out with fervent feeling. Twirling guitar notes and full-sounding synth slips past. Powerful synth pulses are joined by flourishing drums.

The vocals are gentle as flickering guitar rings out while giant bass and punchy drums guide the music. A galactic-sounding, sailing segment comes in to support the melancholy melody. Heavy drums jump in along with dense bass while the guitar dances through. Oceanside85’s voice is deep with expression before silence falls.

The storyteller talks about “the pretender” shooting a hole in her heart as they were breaking up. She goes on to say that she didn’t ask for much but even that was too much. The other person took her to heaven and told her she was “the one.” The pretender promised eternal love but lied.

Our narrator says that she gave the other person her heart and “in exchange i thought I’d get back something.” The song’s subject was merely manipulating her, knowing what she wanted and “twistin' the knife.” She adds that it “takes guts” to tell the other person she needs them and that was “more than you can give.” The narrator will “roll on” without the other person but she’ll cherish what they shared.

Now she points out that the song’s subject will regret the things they missed and adds “I know that you’re not gonna understand ’til it's too late.” The storyteller says she won’t have her worth devalued or “be pushed aside in my own life.” She concludes by saying “They'll tell you they'll love you forever but they’re just pretenders.”

Echoing piano notes vibrate into open space slowly and lugubriously as string-like synth trembles to start “Broken Promises.” Oceanside85’s voice is smooth and captures aching emotion as rebounding, soft-edged notes slip through the music.

Drums and bass create a guiding pulse as the pained vocal melody is captured by Oceanside85’s beguiling voice. Dense bass throbs and circular-sounding notes shimmer while sharp-edged, gritty synth flashes out. Below it all, TCR’s production emphasizes the gargantuan bass and solid drums. Oceanside85's voice flies with intense feeling while medium-high, leaping synth illuminates the music.

A segment in which Oceanside85’s soulful voice fills the musical space. Widely flashing synth dances through in strong bursts with a gruff edge as drums and bass throb. There’s deep feeling pouring from Oceanside85’s vocals while the lambent synth also leaps through and the song ends on piano notes.

The teller of this tale begins by confessing that it “took a long, long time to get you off my mind.” She says that she’s unable to understand why they can’t “mend our broken hearts and broken promises.” The other person stole a “piece of me in the night.” She says that she missed their “devil’s eyes” which are “so wise” that she was mesmerized and taken "back in time to when you were mine.”

Our narrator wonders where the team they formed has gone, adding that she’s heartbroken. She can’t understand why the other person left because all she needed was love. Once again she can’t figure out why they can’t heal. The person stole her heart and “your lies have swelled up my eyes.”

“Maybe It’s Better This Way” opens as dominant drums throb and taut, elevated synth vibrates. Smooth, warm synth carries a gently breathing melody as Oceanside85 softly touching, slightly distant voice carries the pleasingly melancholy vocal melody above huge, reverberating drums.

Sparkling synth filters through like diffused sunlight as it intertwines with Oceanside85’s emotive voice. George Ergem’s voice joins hers, enfolding and wonderfully full of deep feeling as heavy drums add shape.

Hollow synth curls through the music while the two singers match their voices to add richness and emotional strength, carrying the tranquil vocal melody while the low end drives on toward the song’s end.”

“Like a flame in my chest your memory it burns me” is how the first storyteller opens the song. She describes how she can’t “swallow your face in my dreams” like a pill stuck in her throat. Our storyteller points out that now the other person has “lots to say” as he plays games and makes excuses when she wants him there. She concludes that it might be better as it is because he is “grounded on the land you sit” while she’s a butterfly and “I have to fly away."

The second narrator talks about how his insecurity grows in him “like the taste of poison” because the first narrator is wild and won’t give up. He doesn’t get any communication from her when she’s away. However all is forgotten when "you take me into your grip” because he is like “ a moth to a flame in the night” and she hypnotizes him.

Both of the song’s subjects say that it might be better if each of them stays away because they can learn about themselves. At the song’s ultimate conclusion, both of the singers say they “would have given you everything but it wasn’t good enough to make you stay.”

Meteor’s production lushly emphasizes Oceanside85's serene and mournful vocals to start “Taking Back My Heart.” Smoothly expanding, rounded synth drifts and electric guitar weeps emotive notes as bursting snare drum and throbbing kick drum add motion.

The vocals lift up, adding defiance as drums pulsate while rebounding bass shapes the music. The vocals do a superb job of capturing the song’s emotional intensity. Angular synth shivers and electric guitar adds passionate feeling. Oceanside85's voice is gentle but full of resilience.

The vocal melody is vulnerable and softly touching while metallic guitar flares and trembling synth adds energy. Oceanside85’s voice cries out into open space and cutting synth chords add a flickering gleam. Chimes flit past and the song ends on strong vocals and driving drums.

This tale’s teller opens by talking about how she and the song’s subject are “falling like the rain” only leaving “water droplets” on her face. She asks the other person to look at what they’ve done to her “‘cause that’s the blame game.” Now she’s completely done with it.

Our narrator goes on to say she’s taking back her life because “I don’t want this toxic love… I don’t want this poisoned heart.” Years passed and the pair of them tried to repair their relationship but “when you told me you took her number down then I knew that we were through.” With pain she says that her “best friend” had traded her for a new relationship.

The storyteller feels like a fool for having waited for the other person’s love. She was under a false impression about them. She tells the song’s subject that she doesn’t play games or place blame. She is tired of feeling pain so “I’m taking back my heart from this shit.”

“Catch Me” commences as brilliant chimes sparkle and Oceanside85’s voice echoes out as a gigantic drum and bass pulsation drives forward. The vocals fly out with reaching energy while drums and bass propel the track onward.

Oceanside85’s voice imbues the motivating vocal melody with even more dynamism. Glimmering synth cascades in lambent lines while endlessly moving drums and bass shape the music. Time Travel weaves a rich sonic tapestry to support the compelling vocal performance.

Now the song slips through a soothing segment in which ethereal synth trails and the vocals add encouragement as huge bass rumbles. Oceanside85’s voice is intense as the driving drumbeat pushes while guitar entwines in swirling lines, adding to the energy before the song ends.

Our storyteller tells the other person to dance at the disco if they are “feelin’ funky.” She says the DJs are just spinning around but “I’m flying high, you can’t touch me.” She feels that she owns the sky and adds “I'm feeling my fantasy, don’t you bother me.” She talks about how people like her are fairies tangled in mundane people’s hair, people who want to sap their magic. However “our magic’s overflowing, it’s a never ending story.”

The narrator challenges people to catch her if they can across dimensions because “I’m not bound by your reality.” She follows her own rhythm. She and the others like her are hard to catch because they are “bright like lightning” and paint with colours invisible to ordinary people. They dance to their own beat.

Now she encourages people to keep on moving forward and to “take a stand and change the world.” She calls on another person to take things over, saying they have saved themselves “down by the ocean.” She points out it was done by them alone. Now “the butterflies have landed, we all are stars.” In the end, she calls on everyone to “shine bright, grind hard, shine a light in to this world.”

Conclusion

Love Warrior combines emotive singing, engaging songwriting, top notch production and human feeling to create an album that transports me. I find myself feeling all of the emotional complexity of the relationship portrayed on the album as Oceanside85 and her guests draw me into the story.

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CZARINA CZARINA

LACRIMORTA - Lacrimorta

REVIEW BY MIKE TEMPLAR

Lacrimorta is the new project of US multi-instrumentalist Nikoletta Winters, who already attracted attention with her previous projects such as Virtual Intelligence. With the eponymous album “Lacrimorta,” Nikoletta wanted to push her artistic expression further, which she undoubtedly succeeded in doing.

Nikoletta shared how the inspiration for her new name came. The word “Lacrimorta” was whispered gently into Nikoletta’s ear whilst wandering around in the dark one cold winter evening in December of 2021. As to who whispered it remains up for debate. Some believe that the Prince of Darkness may have had something to do with this. Others believe that the goddess of night, Nyx, bestowed the gift of this word upon Nikoletta. The word Lacrimorta is a portmanteau of the Latin word Lacri (to ‘cry or weep) and Morta (the Roman goddess of Death, an analogue to the Greek fate Atropos).

Lacrimorta celebrates and laments what it means to live forever. When the world you love falls away into the void of night, would you do anything to get it back? Or would you accept it and create a new world for yourself, over and over and over again?“ Nikoletta reflects.

One of the most impressive aspects of this album is that most of the longer tracks never get boring, and the song elements don't seem repetitive either - reflecting Nikoletta's genius to compose sophisticated and thoughtful songs. Furthermore, her lyrics strike like a hammer with such strong force. Those who read the texts and can perceive the vast spectrum of life, especially the darker ones, will be able to relate. The titles are very expressive, multi-faceted and some parts even engage the listener to dance.

Nikoletta Winters plays both melody and harmony guitars, bass guitar, drums, pipe organ, vocals and even viola on this album to be played at maximum volume. Lacrimorta marks a new beginning for Ms. Winters' musical artistry, pushing the boundaries of what she originally thought possible to a new level.

The sound of Lacrimorta is something for fans of Michiru Yamane (of Castlevania fame), Malice Mizer, Sisters of Mercy, The Birthday Massacre, Cradle of Filth, H.I.M. and could be decribed as a fusion of darkwave, gothic-metal with synthesizer sounds including a shimmer of hope.

Lacrimorta is a well-rounded and versatile work that never gets boring.

For more Lacrimorta, visit lacrimorta.com.

Check out the video podcast interview of Lacrimorta below.

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