Techno Mage - Hexproof

Review by Karl Magi

Overall Album Review

Techno Mage’s Hexproof takes us on a terrifying, intimidating auditory adventure through a hellish techno-dystopia combining relentless power and seething darkness. This is a musical onslaught in the best way possible as it mingles raging guitars, chip tune sounds and unstoppable percussion. When one adds in a roster of musical guests, each bringing a unique talent, the resulting album is deeply pleasing.

I enjoy the way in which Hexproof weaves together musical elements to create an atmosphere rife with terror and technological oppression. The guitar has palpable weight and slashing edges while chip tune sounds create a sense of retro-future technology and the drums and bass add feelings of oppression and looming shadow. I find myself transported by the music, painting twisted images in my mind.

Hexproof benefits from a range of musical contributors who each bring their own twist to the album’s tracks. Their talent adds to the depth of the music and gives it fresh flavour. I believe that there’s huge ability within in the community surrounding synth-based music and this album goes some way to supporting that belief.

The way in which the album balances various timbres, sonic textures and tonal elements adds layered complexity to the music. There is, of course, tremendous power and rage but there’s also richness, contrast and emotional depth here. I am enamoured of how these elements form a compelling whole as the album unfolds.

My Favourite Tracks Analyzed

“Ghost” comes to life as darkly seething bass tumbles below a taut note that extends in a long flow. Trembling, nervous notes add a keyed up feeling as rounded, ethereal synth glides out. Vicious drums are joined by rampaging guitar that fades as threatening bass mingles with tripping chip notes.

Intimidating, shadowy synth rises as tense arpeggios spin. The drums are a crushing weight as surging guitar forms a fulminating tide. There’s superb contrast as the track slips into a delicate glissade as chimes sparkle. Haunting synth cries out in a lost pattern as the drums, guitar and chip sound fades.

Reverent choral voices move with harsh sounds and rising chords effectively embody nobility to start “Ironsight.” Gigantic drums and lacerating guitar are joined by Shubzilla’s sharp-edged vocals as wet sounds move.

Colossal guitars and attacking drums support Shubzilla’s intense, active vocal delivery as the guitar forms an interwoven wall. Razor-edged bass and aggressive drums charge in as Shubzilla chants.

Guitar dances in angular motion, slicing in as the rushing low end forces itself forward. The lead singer calls out as the pumping drums are given muscled life by leaping guitar. Wobbling notes sway and more worshipful feeling flows from choral voices before crunching anger fills the guitar as drums pummel.

The narrator appraises a new recruit for their cause, “just a greenhorn that I gotta lead along.” She says they’ll have to pay their dues because “ones like you been here before” and there will be more like them. She adds that names aren’t important and “you’d better learn fast.”

Our storyteller asks what this recruit brings with them and concludes that they’re “nobody different, just the same old thing.” She adds that it isn't hard to see by the way they fight, running on fumes all the time. She says that the recruit isn’t "bright, new or innovative" but it's better than their not participating. All she wants to know is if they’re ready.

Now the narrator asks what the other person is waiting for. They need to “get your foot out that door” and stop showing insolence. She wants to know that they have it right. She tells them to “shut up and give me more” without arrogance. She points out that “I’ve got you in my sight.”

“Spare me the talk, we takin’ action" is what the storyteller says to the recruit. She wants them to team up and "make some traction." Their work is done and she asks the other person if they're ready go. The people that they're challenging are now going to "reap what they dared to sow.”

The narrator adds that people shouldn't think that because they're not that big, they can't make waves. She goes on to point out that “we ‘bout to bust this gig" and put them all in their graves. There's no need to know where the other person comes from and the "stacks of bodies got me numb.” She wants to catch the flow and tell everyone what’s up.

This tales’ teller asks what the recruiters waiting for and tell them to shut up because "it's time to sore" and kick in the initiative while they wait until the fight wade into the fight. She goes on to tell them to "shoot the core, avenge the fallen (with) redemption into the night.”

Our narrator talks about doing what’s necessary to “get that dub.” She asks if someone like the recruit can measure up, adding “don’t front, you ain’t tough.” She tells the other person to take a chance because the struggle is bigger than them.

Her question for the song’s subject is “What are you waiting for?” She tells them to quit talking and focus so they can “reveal the fraudulence, bring it into the light.” There’s no scorekeeper so the recruit has to give their all and fight hard.

Now the storyteller says that if the recruit is dreaming of a time after war, there’s no room to hesitate and there’s “history to rewrite.” She tells the other person that they need to “calculate what’s in store” since they have to be underway.

“Precognition” commences with trickling chip sounds as soaring and heart-lifting notes call out above the roaring low end. The main melody vaults forward as smashing drums and tidal bass surge drive.

Chippy notes trace through and the drums strike with massive force as the guitar lashes out. Choral voices join the digital-sounding melody with its adventurous feeling. The guitar adds a blues-y riff and the low end rushes massively as the guitar bellows.

The low end embodies titanic force while the chip melody climbs, adding an excellent sense of uplift and inspiration. Guitar calls out and the drums and bass rush hard along with the choir as the track ends.

Intensely biting guitar lacerates in bursts that rock the track with fearsome power to open “Bleeding Edge. “ Spectral synth cries out with a ghostly feeling above the roiling guitar and bass mass that looms through the music. The guitar that erupts with seething strength as chip synth leaps up.

I am drawn to the guitar solo which unfolds with nobility and intricacy as the tide below it heaves. The guitar assault is massive while wide sounding synth drifts out in long lines, sounding lost. The low end moves with tectonic force and rushing, enraged guitar surges. Digital sounding synth flies free and the guitar sings with arcing triumph before the track ends.

“Self Diagnosis” kicks off as bass, like the vast darkness of outer space, wells up. Choral voices chant with ominous emotion as a heavy drum smashes in broken lines.

Now guitar churns with crushing strength as the drums impact with deadly force. The choir’s voices ring out with shadowed emotion as the guitar wall adds with energy and intimidation.

There is a well-expressed hellish quality as in the angular guitar that tears in with razor fangs. The choir cries out in a possessed howl as string-like notes also surge and the guitar leaps out with lacerating power before the track ends.

Twinkling chimes flit as colossal drums smack and rattling cymbals hiss to start “Silver Tongue.” A towering mass of roiling shadow pours in and high synth cries out before a chugging bass pulse joins an orchestral sweep that adds a superb dramatic intensity.

Brassy notes flash out and rippling, resonant arpeggios spin as bass growls and a guitar maelstrom makes a ravening attack. Full-sounding arpeggios ramp up tension and motion above the low end. Taut high notes float out with a lost feeling while the drum and bass storm breaks with staggering force over the track as it draws to an end.

“GodMode” begins as pulsating bass moves below medium high, glistening synth flowing in a mysteriously glowing pattern. Skipping synth wriggles as broad drums burst and threatening bass slips past.

A guitar shreds in with ferocious power as the gleaming synth flickers out. 8-bit notes flare while the guitar charges on and reverberant synth sings a surprisingly tender melody that I enjoy. Jagged guitar shards drive in a raging tide and cymbals clash.

A digital-sounding melody sings out with soaring triumph above the terrible energy emanating from below as the drums collide. The chip melody carries nobility and intense motion as arpeggios twirl. The storm is unrelenting as the track finishes on a dark sonic flow.

Radiant string-like synth unwinds in lustrously dancing arpeggios to open “OmniVision .” Bass adds a dangerous feeling, rising in huge walls as airy sounds rush through with a choral sound and guitar adds seething power.

Giant drums smash hard and trembling synth moves in agitated lines. Heavy drums explode along with a choir screaming out to effectively add a sense of horrifying threat.

The guitar embodies unfettered darkness and the drums shatter. Nervously spinning arpeggios fade with pizzicato notes as the track closes.

Conclusion

Hexproof is an exhilarating, terrifying and colossal slab of power and darkness. It allows Dan Butler (Techno Mage) and his fellow creators an intense musical expression that explores a dystopian technological world that looms above us all in a possible future.

PYLOT - Axiom

Review by Karl Magi

Overall Album Impressions

PYLOT’s Axiom takes listeners on an auditory journey across a future landscape mingling industrial roughness and grit with lustrous, metallic sheen. PYLOT and his musical guests weave sonic imagery with emotional depth, auditory complexity and lyrical expression as the album unfolds. I enjoy the places to which I am taken by the music.

Collaboration is at the centre of Axiom and the result is engaging. Each of the musical contributions from guest artists adds depth and expression to the album, conveying the different artistic visions and skills of each musician. I enjoy the seamless way in which unique sounds combine to produce an ear-pleasing whole as the tracks evolve.

Musical atmospherics are another important aspect to Axiom. The way in which synth textures, guitar sounds and percussion combine results in music that exudes evocative atmospheres. I find myself painting mental imagery that moves from oil-slicked puddles reflecting neon light to pristine corridors and soaring buildings that slice the sky like crystal shards. PYLOT and his guests are masterful in their ability to generate intense imagery as their musical vision reveals itself.

I’d also like to comment on the songwriting on the album. The lyrics are impactful, well-crafted and emotive. The way in which they explore a plethora of feelings lends more depth and engagement to the songs that move through Axiom.

My Favourite Tracks Analyzed

“Invisible” commences as delicately rippling synth is touched by soft rainfall as a phone dials harshly. Crushing bass throbs with full weight as Ezra Hyte’s expressive voice carries a pained emotional core while rounded synth trickles.

Bass pulsates as impassioned power pours from Ezra Hyte’s vocals while the huge drums batter and synth with bending warmth calls out while sparkling notes flicker. The song glides as the melancholy vocals move above the guiding drums and bass.

Ezra Hyte expresses loss in his heartfelt voice and twirling notes twist out while gigantic drums batter. The guitar cries out with power and need intertwined intricately. The track ends on soft rain and a voice on the phone asking “hello who is this?”

Sometimes we can feel shut out from our own lives. The narrator says that he doesn’t feel at home and he’s at war with his own reflection who is “the man I hardly know.” He says that every night he's in a different motel without any place to call his own when "suddenly Alice calls to me from down the rabbit hole."

Our storyteller finds himself "racing back in time, just to find you" but he can't seem to find the words to remind the other person of the past. He hears the other person’s voice from the telephone, which is "the same voice I hear in the bed alone.” The storyteller wonders how to reach the other person’s heart saying that "this diamond ring is the only part." He asks if it was only digital and add that “a drifter I remain, invisible."

The narrator sees numbers and codes "raining inside my head." The codes are like a “shadow on the shore” or a ghost rapping on his door. He says “I won’t go down with the love, I won’t forget.” He remains like an unknown stranger.

Full-sounding, embracing synth flows in a delicate sweep to open “Terminal 001.” Elevated, softly lustrous synth carries a calming melody before fierce, dark bass oscillates in bursts and solid drums throb as ghostly notes glide past.

The balance of gentleness and shadow works well here. Warning sounds ring out, adding tension as the ethereal background drifts. Soft rain falls as gossamer chords swirl.

Rounded arpeggios quickly shift as drums flourish and drive on while jagged guitar slices out and bass pounds. Soft-edged synth runs in dancing lines as the warning noises increase tension. Twirling notes fade quietly into the background before fragile, high synth trembles and rain falls.

”Breathe” begins as a steadily ringing elevated note extends out through static crackle. Metallic, glistening synth entangles in flaring lines as xylophone carries a tranquil melody out over slipping, soothing low synth.

Explosive drums join a scudding bass line as piano-like synth combines with metallic notes in a melodic pattern full of peaceful ease in contrast to the punching low end. Nasal-sounding synth calls out as guitar entangles in meditative, feather-light melody while bass pulses and piano notes drift out in enfolding motion.

Now the guitar cries out in a beautifully crafted melody holding yearning and freedom in equal measure as piano washes past. A guitar solo mingles hope and ache in intricate notes before the xylophone floats by and the track ends on trickling sound and relaxing feelings.

Pattering rain and distant, fragile notes open “Axiom.” An ominous tinge comes into the music as diaphanous notes trail and thunder rolls as huge bass throbs. Delicate notes flicker and active, shadowy arpeggios join hollow sounds. Glistening synth intertwines and string-like synth adds flitting notes.

Piano carries a melody that fills me with deeply felt melancholy as unctuous notes trip past while an alert sound fills a tense synth pattern. Arpeggios wander in a haunting pattern as bass entangles darkly and broadly radiant notes drift. The bass moves with rising tendrils reaching out into silence.

“Lines Of Code” commences as lushly slipping synth flows out. Pylot’s softly emotive vocals glide in with a lonely quality, echoing out into the spacious background. Alan Cox’s drums touch the song as synth ripples smoothly and a guitar sings a energy filled melody out over punching drums and solid bass.

Chiming notes spin in arpeggios while the huge drums throb. Pylot has a powerfully expressive voice that compels me as it captures the pained lyrics. Guitar slices through with a tinge of uplift in it as the song flows out as brittle notes trickle through.

Dreaming pain fills the vocals before Tim Hutch’s guitar solo leaps out, capturing dynamic power in howling, interlocking notes. Percussion pulses hard before gently fading out with a mournful feeling.

What happens if a machine starts to feel? The storyteller says he is a “product of design with wires and circuits.” No blood flows in him but still he asks why he’s hurting. He wonders if his emotions are only “lines of code running in sequence no one knows.” He asks why, if he’s a machine, is he still feeling pain.

The narrator has lived out his life as a human but the truth has surfaced to brutal effect. He finds that his mind is a “mess with a painful intrusion” and his heart aches “with a burning confusion.”

Soothing tranquility flows from serene notes as sparkling synth flits to start “Time Bomb.” Tyler Lyle’s smooth, emotive voice carries a soothing, easy going melody and arpeggios twirl past. Strength grows in the song as the drumbeat thuds hard and a guitar snarls.

I am drawn to the way in which Tyler Lyle’s voice erupts with intense power as the chorus leaps up and along with a muscled guitar. Calm and peace permeate the music as the vocals embody tranquility again. Drums pulse while synth clouds rise up and again the gritty guitar growls and the vocals climb to the heights.

The drums throb unevenly as rough-edged, cutting bass is balanced by bouncing string sounds. The heaving low end supports a distant synth that ramps up to a peak, growing more tense before the song slows. Tyler Lyle’s resonant voice slides through before the song ends.

Sometimes danger and a thrill of adventure draws people together. Our narrator says that they weren’t young and it wasn’t love, just “a need to see the light of other suns.” It wouldn’t be long before he’d lose everything he’d won but “she was running from her demons, he was running just to run.”

A time bomb is ticking in “your dark heart” in the chorus. The storyteller says that you don’t know precisely when but “you know you're gonna blow apart.” He points out that you love what it’s doing but beware because being “in love with that ghost” will catch up “when it all gets too close.”

Now the narrator exhorts the audience to pin the accelerator and asks if you can outrun the devil while he waits at your door. The narrator knows that you love the feeling and the flame but warns that “she's not the sort of fire that you get to tame.”

Our storyteller says that the characters in the story weren’t in love and no names were given. They both understood “what could unravel somewhere up the way” but he owed her something and he’d have to pay for it.

In conclusion, the narrator says that they were on a sinking ship with nothing to lose. He points out that "she was on a suicide mission, he thought it was a pleasure cruise." They were two dark hearts"cursed to run.” Once again, she was running for her soul, and he was running just to run.

“The Road Ahead” opens as muscled guitar cuts in rising chords before chugging into a propulsive pulse. Pylot’s voice is full of rich expression while the drums throb onward and synth notes trickle.

Now the guitar explodes with racing power and encouragement as Pylot injects engaging feeling with his voice. Charging chords add positivity along with the hopeful vocals as the drums and bass shape the song. The melody is uplifting and the guitar unfurls with majestic life.

The low end presses forward before the drums give way to a digital sounding synth carrying a flying melody. Matthew Pennington lets rip with a guitar solo that is full of freedom and soaring joy as the low end adds form before the song ends.

Sometimes we have to fight and rise above the struggles and the darkness around us. The narrator is pulled down by tears and shame as he wades “in the depths in a sea of pain." He says that he'll transform his pain to power and "my fear to faith." He wants to find a way to heal himself and escape. He won't "let the shadows define who I am” and he’ll take a stand, walk through the fire and go down the road in front of him.

Now the storyteller finds himself “driving fast on this lonely highway" and letting go of what’s burning him. He wants to put the pass behind him and let go of what’s binding him as he takes the road ahead. Our storyteller will face life “head on with my heart as a guide” and surmount his fears to “reach for the skies.”

Conclusion

Axiom is a richly interwoven synth adventure that takes us through a detailed and emotionally powerful soundscape. There is heartfelt expression in the music that is given more strength by the guest artists and their contributions.

See Thomas Howl - Glow in the Dark

Review by Karl Magi

Overall Album Impressions

See Thomas Howl’s Glow in the Dark unfolds in a intensely intermingled, sonically rich rush of motion and musical drama. There are fascinating auditory interactions and unique synth sounds that create strong imagery and keep my ears tingling. See Thomas Howl skillfully takes listeners on an eclectic synth voyage with this album.

Depth, complexity and interesting sonic interactions abound on Glow in the Dark. See Thomas Howl combines his synth palette in ways that are surprising and ear-catching. I enjoy his auditory combinations because they don’t do what one might expect. The sneaky moments and little details that he adds create interest and make me listen out for what might happen next.

I also enjoy the eclectic nature of the music See Thomas Howl creates on Glow in the Dark. The tracks roam through a plethora of moods, styles and energy levels as the album unfolds. Darkness, light, joy, loss and dynamism fill the tracks and draw me further in to the richness that defines the music on the album. I am happy to be taken on the journey that is being offered here.

My Favourite Tracks Analyzed

“Glow in the Dark” comes into being as a hissing sonic sweep bursts into bass oscillation as digital synth rebounds in a dynamic pulse. A lambent melodic line rings out, adding solar illumination as the angular bass and punchy drums press on.

A raised synth has a majestic, shadowed quality which draws me in. Digital-sounding synth bops jauntily and bell-like notes shimmer and gleam. Brilliant chords flash while the sharply moving low end propels the track. Glimmering synth glows out as rounded notes fall in entangled cascades and the slicing low end scythes in broken movement.

Gruff synth shifts as the massive drums slam in and radiance pours from high synth as the muscled weight below heaves. Triumph fills the main melody as the track ends on shining sounds.

A madcap voiceover is joined by clashing drums and a pumping bassline to open “All American Hero.” Hollow, computerized notes flicker in waves as full-sounding synth descends behind them and massive drums collide.

Chiming synth luminesces, carrying a melody with an ancient quality above the hugely muscled drums and dense bass. There is a wonderfully victorious feeling in the flashing synth melody that rings out. Panpipes move in airy patterns wth an angular feeling as glowing synth calls out in triumph.

Now glistening notes tremble as string-like synth curls through while the razor-edged low end pulsates. The track returns to echoing pipes and the ringing melody becomes an addictive dance. Drums batter and string-like sounds rake through as the low end throbs.

“Mazda RX-7” starts as sharply slashing, entangling synth jumps and elevated sounds call out. Distorted, vocal synth chants in as ethereally gliding arpeggios spin and grow more defined. An enigmatic synth melody sifts through in wandering motion, carried on a haunting synth while massive drums batter and raised notes call out.

The vocal synth adds an alien quality as it roams along. Broadly shining arpeggios twirl above the hard hitting low end. Ghostly, easily slipping synth moves again, effectively creating a spectral impression for me.

The dynamic low end shifts and cutting notes tumble past. Open-voiced, digital sounding synth comes in with a melancholy tinged melody as the track drives on to the end.

Mumbling, fat synth growls as rain rushes down and pounding drums come in to commence “Wet & Weysted.” Razor-edged notes sweep and bass grumbles far below. The synths twine in a dense, gruff sweep as the giant drums batter and a welter of cosmically drifting synth interlocks.

I enjoy the contrast between lightness and power in the music here. Intimidating bass towers as tensely unwinding synth descends while drums burst and the rain keeps pouring.

A juddering synth pulse moves past as the windy sonic sweep flows on. Snare drums move and unsettled notes fall above massive bass and elevated, flickering chimes as the track ends.

“Falling 4 U” begins as cutting, active synth slices in above powerfully pulsing snare drum and lush bass. Open-sounding panpipes move in dynamic patterns while the drums press on and the bass oscillates.

Power fills the scintillating, dense synth to create an intense glow. Chimes sparkle out in a pained melody with a gentleness I find compelling. Rapidly repeating synth forms a hypnotic pulse and panpipes have an entrancing feeling as the razor sharp low end drives on.

Blinding light pours from radiant, intertwined synth above the battering drums. Chimes ring with the hauntingly delicate melody they carry as whirling notes spin out endlessly and the track slides into silence.

A hi hat clashes and a medium-high, bending synth sings a melody full of energy and propulsive motion above rushing drums and solid bass to kick off “Breaking The Law.” The reverberating melody has a wonderfully free, celebratory quality as it rings out on airy synth.

Panpipes flit with devious energy as the low end throbs onward and glimmering synth forms an active pulse. The panpipes skip again, tricky and playful, while the drums pound on. Broadly shining synth dances in flaring lines as distorted, rubbery synth wriggles past.

Light-filled synth twirls in evolving motion as the smoothly scudding drums keep throbbing. Raised notes tremble as the drums flourish before those vibrating notes fade into silence.

Conclusion

Glow In The Dark has many moods, layers and musical interactions within it. Each element is well-executed and they combine into an aurally fascinating, engaging whole that compels me to keep on listening.

Airport366 - Broken Nights

Review by Karl Magi

Overall Album Impressions

Airport366’s Broken Nights is an emotionally powerful, lyrically engaging retro synth exploration of love, loss and complex feelings. Matteo Bertini’s vocal abilities mingle with evocative songwriting and a musical tapestry bursting with layered synths, emotive sax and propulsive drums to create engaging and ear-pleasing music.

Broken Nights is anchored by Matteo Bertini’s vocal performances. His raw, expressive and touching voice perfectly captures the emotional intensity of the songwriting on the album. I enjoy the gruffness in his voice, giving it a lived in feeling that lends a sense of experience to the lyrics. The way in which he can move from tenderness to ragged pain in his singing draws me in.

Fabian Alexis Díaz Acevedo and Matteo Bertini’s lyrics are another strong draw for me on Broken Nights. They capture a plethora of feelings and emotional states in the words, conveying a potent mixture of nostalgia, loss, passion, melancholy and hope. The way in which the lyrics deliver the emotions to the listener is intense and undeniable.

The way in which the musical backing comes together on this album also attracts me to it strongly. The synths interlock into a layered whole that creates varied tones, timbres and aural textures as they unfold. I find the sax performances to be deeply touching and expressive while the drums and bass give the music huge rhythmic drive.

My Favourite Tracks Analyzed

“Do You Want To Fly” begins as deeply swelling synth drifts along with a radio voice over, talking about a flight that is more than that. Floating synth ripples glide through as open chords drift on and a taut note pattern twirls through as the bass broadly oscillates and grows in intensity before ending in quiet. I enjoy the emotional tone this track sets for the album.

Tenderly pulsing, slightly hazy piano dances in a rich wash to start “Steph.” Matteo Bertini’s powerfully emotive voice rings out in a melody that hurts while dreaming of a lost love. Trickling notes touch the music as a piano calls out with deep feeling.

Sax carries a gently caressing melody that tugs at my heart. The sax’s reedy voice is full of loss as the huge retro drums rebound and the piano calls out to add touching feelings. The chorus bursts out with impassioned life as the massive drums add form.

Matteo Bertini’s vocals have a gruff edge as he emotes and the guitar soars in a solo that explodes with expression and intricacy. Matteo Bertini cries out above the huge drums alone before the drums, piano and flying guitar mingle.

Sometimes the loss of a beloved person can leave us feeling bereft and broken. The storyteller wishes he could make it alone but “today I have to face the fact that you’re gone.”

He says he’d fight if there was anything to be said or done. He feels that without the song’s subject he’d rather quit on life. He adds, “Sometimes when I don’t know who I am, I remember you’re the best I ever had.”

Our narrator wishes again to make it by himself but he has “wandered alone in the night for so long.” He adds that even when he’s high, he still hears the other person’s name echoing in his mind.

He begs the other person to “pull the trigger and end this endless chase.” He also points out that when he’s “outside my head” he recalls that the other person was the best for him. In the end he wonders what would happen if they succeeded. He concludes, “We could try if you believe in it. We both know how damn cold can be the night!”

“I Won't Blame It On You” opens as massive bass waves flow outward as a sample from The Karate Kid fills the background. Misty, enfolding synth floats out and elevated notes sparkle and spin. Matteo Bertini’s voice is richly immersed in pained and powerful emotion above the pulsating bass as huge drums thunder.

The gruffness in Matteo Bertini’s voice gives it a quality I find deeply pleasing. Sharply shining synth cuts in and now the low end rises in muscled motion as the vocals leap forward, Matteo Bertini’s ragged voice heartfelt. The female vocalist adds yearning warmth as she calls out and the drums punch in.

The vocal melody has touching emotion bound up in it as glassy synth gleams out with the tender melody as the low end throbs far below. There’s hazy illumination in the background that glides out into silence.

Life can be gruelling at times, but companionship can ease things a little. Our narrator talks about the way in which he and his friend used to "get wasted on Sundays, let our pain away.” He goes on to say that there's nothing that could heal his friends bruises.

Then the storyteller points out that “this place isn’t heaven" and it won’t change. he says that there one always lives on the edge "until the end of your days". He adds that the other person was also “on the same edge too".

Our narrator elaborates by saying that the place in which they live is cruel and it can “slide right into your room.” He says that he won’t blame the other person for being on the edge.

He continues by talking about how they "ran into the night (and) it felt like we finally paid the price" and he’d always be by the other person's side. He concludes that it "felt like part of our engines” as they ran into the darkness.

Distorted, deep notes move in colossal walls as rapidly tumbling, medium-high synth dances in oscillating motion to kick off “Rescue 1987.” Musclebound drums shove forward as a snare drum ticks before a broadly moving sax calls out in a wistfully dreaming melody as the bass rumbles and drums pound.

I am compelled by the sax melody here. Twisting, string-like notes tangle as they cascade and lissome synth gently touches as the bass forms a towering pulse. Elevated notes with a brassy quality call out and the thunderous low end drives. Hardly scintillating synth adds intense shine and the track fades on sweeping air.

“Broken Nights” starts off as solidly pulsing bass and hard-hitting drums drive while soft-edged, bell-like synth carries an enigmatic melody. Matteo Bertini sings the cryptic lyrics with heartfelt strength as swirling synth clouds rise and rippling notes flit past.

Huge drums throb as trembling synth vibrates as the gritty vocals effectively add weight to the words. A ringing melody drifts with a sense of loss above the guiding drums and scudding bass.

Matteo Bertini’s expressive voice tears from him as trickling synth skips past and the shivering background adds texture and the main melody glimmers out with a hint of mystery and pain intertwined with soft illumination. Matteo Bertini’s voice ends the song along with colossal bass.

Depression sits like carrion birds and watches us, drowning us as we seek a way to banish it. The storyteller speaks of crows on the roof “making a fool of you.” He warns people not to let them “walk on your chest” or else madness will ensue.

Now the narrator talks of how rain is falling through fissures as the song’s subject is “drowning in the sheets.” He warns the other person not to let themselves be taken away and spat out again.

Our storyteller wants to set the dark river alight and adds “if there’s a spark I’ll give it a try.” Bonfires blaze and he wants to rise higher, run away and shake the depression off to make it by himself.

Crows remain on the roof as the narrator dances in darkness while “blind eyes look at me everywhere I turn.” No matter how quickly he runs or how he tries to hide, the lurking “black wave is waiting on the other side.”

Softly billowing synth chords add gentle light to “Sanhattan” as they flare and sunlit notes touch the music. A funky guitar twangs along with the smooth drumbeat. Matteo Bertini’s unique voice skillfully expresses tender affection while shimmering synth sparks twinkle and the low end shapes the music.

Passion and emotion join in Matteo Bertini’s voice to deliver the lyrics as guitar unwinds in a melody mingling love and care. Radiance fills the elevated notes while the vocals dig deep with feeling. Hollow synth with a piping sound carries a dreamy melodic line above the rich chords swelling below.

Sax calls out, carrying ardent emotion and yearning, reedy and heart-touching above the shaping percussion. Matteo Bertini’s voice is distinctive and full of feeling as the song slides to a closing on the open-sounding pipe synth.

Sometimes youthful passions return to us in bittersweet memory. This tale’s teller recalls picking up the song’s subject and thinking that when she got into the car, her dress “seemed to roll down the coast.” They discovered that they were “too young to fall” or have a dream of what they might become as they were “driving all the pain away.”

The narrator speaks of lighting a “fire in the sand at night” and asks the other person to go on and reveal her tan lines because “you cannot stop time.” He adds that it has been some time but lately he’s been thinking of “my Madison, our back and forth, the violet light of the dawn.”

Conclusion

Broken Nights is one of those albums in which each element is distinctive yet combines into a cohesive whole. I find myself listening to the mixture of retro sounds, intense feelings, and rich lyrics over and over again. Airport 366 is a band that I'm going to keep an eye on as they progress.