Damokles - Then When?

Review by Karl Magi

Overall Album Impressions

Damokles' latest album "Then When?” Is a look back at music he made in the ‘80s and ‘90s. The album combines his freewheeling keytar playing with a fascinating plethora of percussion sounds, unique vocals and sense of musical playfulness. I enjoy the dynamism, humour and personality that permeates this album as it unfolds.

The first thing that strikes me about “Then When?" Is the way in which the high production values mix with synth layers that ooze funk, ear-catching sonic combinations and charm. I find Damokles’ keytar playing a real pleasure to hear with its intricacy and jazzy motion. I like the way in which he is interested in using sound to create an atmosphere, and imbues the music with a real sense of play.

Damokles has one of the more unique voices that I've heard in my music reviewing career. He has a fresh sound with a unique timbre and resonance to it. It is unmistakable and I respect that fact a great deal. I also derive a great deal of enjoyment from the old school raps that he does on a few tracks, I do love the feeling it adds to the retrolicious sound already present on the album.

I have always been enamoured of the production values in Damokles’ music. All of his sounds are crisp and clean with sharply defined details and a nicely delineated stereo field. I think that the great production adds to any music’s listenability and Damokles has that to spare. I like the auditory travels on which the sounds take me.

My Favourite Tracks Analyzed

“Pose To The Rhythm” commences as dense synth moves in motivational lines as thundering drums batter and snaky synth twists along with samples of Damokles’ voice. Record scratches and crisp percussion underpin piano notes trickling past.

Now Damokles’ voice pops and bounces while a rubbery synth bends. Lambent notes flare out along with orchestra hits and glowing synth jumps out along with Damokles’ fun samples and giant drums. Damokles’ keytar carries a melody that glides with charming tranquility as it moves with all the madly clustered samples.

A scudding drumbeat supports a bell-like synth that fills the track with light. Piano notes trickle past and the drums and bass drive onwards. The track fades on vocal samples, dense bass and glimmering synth.

Metallic synth bursts in angular, wandering lines to open “I’m Falling In Love.” Wind sweeps, brass hits explode and massive timpani batter while a kick drum pulses. Illuminating synth carries an uplifting melody above driving low end motion and continual synth eruptions that bathe the song in brightness.

Damokles’ unique voice carries a tender vocal melody out above the intense low end. Drums add shape to the track as radiant notes fly into the song. Damokles’ voice has a rich quality as it fills the music with life. Effulgent synth erupts again and the pumping beat moves onward.

The vocal melody is full with feeling as active percussion leaps. Twisting samples cut in and the kick drum pulsates. Damokles’ voice is chopped and twisted while metallic notes writhe. Scintillating synth jumps in and the bass throbs as we end on orchestra hits.

Our narrator is talking to the object of his affection, telling her that he’s given her his soul and he’s “fallin’ into your world.” He points out that he comes running when the other person calls his name. He says that he keeps on running, but he doesn't want to stop because "it is done with the power of love.” He asks the song’s subject if she feels the love to and adds "please say you do!"

He talks about merging their lives into one and says that the other person can "like a surgeon, cut me loose and ease my burden.” He asks the other person to call his name and I'll see him they'll see him and. He says that he's not the same "now that you need me and his once empty life has a meaning he can see.

“It’s Electric” starts as popping synth zaps in bursts that become a pattern over slamming kick drum and clapping percussion. Electricity flows and round, fat synth moves in a minor key twist as impassioned female vocals ring out.

Record scratching cuts in above the intense groove as rising synth adds luminosity. Nasal-sounding synth vibrates and the low end pumps as the record scratches skip through.

I want to boogie on down with the massive, lush bassline. After a flashing orchestra hit, gliding synth and sparkling chimes join the female vocals as they fade.

Rounded, bubbling notes move in a rippling pattern before percussion with metallic qualities taps in as “Axe It!” opens. Colossal drums burst and sharp-edged synth cuts in while clapping percussion moves.

Wriggling, scintillating synth leaps in a dynamically twisting melody above the shaping low end. Percussion explodes and bending synth with a brassy shine dances in rapid motion with a charming, encouraging melody running out while dense bass jumps.

Now a heaving, pulsing percussion solo with massive drums pounds in. Gleaming synth sings an energizing melody and glassy percussion tinkles while the bending, snaky synth twists again. The heavy low end throbs and the main melody sings out in lively motion to end the track.

“DJ” kicks off with huge, funky slap bass moving in a popping line along with a snare drum. A heavily dancing percussion section becomes a groove as drums flourish and equally funky synth jumps in.

Damokles’ inimitable voice comes in and now a classic rap segment about the joys and challenges of DJing is cut by shining trumpeting synth in a catchy, uplifting melody. The rap jumps through with the heavily exploding drums and the radiant lead synth while the bassline flows. The rap is a whole lot of fun and slap bass brings a heavy funk dose.

The keytar solo has the typically intricate and wild sound we can expect from Damokles. The synth in the breakdown has irrepressible energy as it writhes while the keytar keeps twirling in complex, jazzy motion. Battering drums rebound and the samples all move in wild abandon as the trumpeting synth rings out with irresistible life.

Heavily hitting drums move with Damokles’ flitting, chopped up vocals that bounce through the music to start “Dressing Up.” Densely expansive synth moves in broadly floating motion, slowly undulating as the chopped vocals keep moving in rapid lines while the percussion keeps on shaping the song.

Now brilliantly shining synth carries a melody that is full of an exuberant sense of joy that fills it to the brim while the crisp percussion keeps giving the song form. Damokles’ vocals cruise into the song with a laidback feeling while bass bubbles and percussion taps smoothly.

I enjoy the illumination from the lead synth as it fills the track above the percussion and bass motion that imbues the song with a continuous feeling of lively energy. The chorus has flying dynamism pouring out to create propulsion and excitement from the glittering synth while the low end drives forward.

The melody sings out with a feeling of adventure and yearning while the vocal sample trip past in popping motion. The song draws to an end on one of Damokles’ whirling synth solos that dances past in madly wheeling lines before the music ends on sunlit synth and rebounding drums.

Our storyteller talks about dressing up, getting down and going downtown. He talks about hiding one's face behind a mask. He asks what one might see looking at all of the “hidden faces staying out of the light like you and me.”

He wonders why everyone is playing by “the rules of the game” because they are all different but look the same, no matter where one goes. The storyteller wants us all to look around to see who people are at their core. It’d create profound change if people were to “branch out the tree.”

The narrator points out that less conformity would mean that rather than uniform rows of flowers, we could have “fields upon fields of exploding colors.” He asks us to imagine if people would be themselves rather than “posers hanging out by the bar.”

He asks people to let the light in and stop the rain, opening the doors and letting their chains drop away. He also comments on the irony, that even people who claim not to conform “you still need to have the look and accessories to show that you belong.”

“Look At The World” starts off with fat, funky synth that swings through after Damokles counts it in. Radiant notes flare in before steel drum like synth and metallic percussion are joined by shimmering synth that flickers while the bass throbs.

Damokles’ vocals have their usual compelling feeling while the reggae influence is clear. Shiny synth adds sunlight while the low end has a strong groove drive by varied percussion and colossal drums.

The keytar solo jams in with intricately intertwined notes becoming a richly dancing whole. I enjoy the way in which all of the parts here contribute to the powerful groove that locks all the parts of the song into a whole while Damokles’ unmistakable voice carries the song to an end.

Our narrator asks the audience to "take a look at the world now, it's the only one we got." He says that we have lots of people with knowledge "but the temperature is getting hot.” He elaborates by pointing out that it won't cost very much to be friendly and lend a helping hand, but "then I could help someone else.”

The storyteller is emphatic in telling people to "shape up!" and not just stand around waiting but make change while trying to "go without leaving a trace." He says that if there's something you can do, you should do it because then "the uncharted founding of a new world is done with room for everyone.”

Conclusion

“Then When?” is an album that is full of exuberant energy, a powerful groove-based low end and Damokles’ inevitable sense of fun and excitement along with his unforgettable keytar solos and unending playfulness within each track. I enjoy hearing the fact that all of the elements that define his music have been there all along.

ABSYNTH EDITORS: Top Records of 2023

The year came and went rather quick! 2023 brought a lot of bejeweled moments as well as memorable releases from artists we love. However, the Absynth team did certain things a little different this year. The Absynth video podcast took a much slower pace than usual this year as each of our hosts took a break to do some life-rearranging and soul-searching with the post-pandemic world opening up fully. This year, while Jake continued his hiatus from music-related endeavors, we found Thorisson exploring India and Nepal, and CZARINA went on her first Spain mini-tour and German gothic fest debut. However, certain exciting releases got the video podcast re-engaged again with our favorite special guest host, Chi of ELECTRICITYCLUB.CO.UK for some much-needed face time and chats. Karl Magi continued to deliver a steady stream of stellar album reviews, leading and anchoring our editorial front throughout the year. Atomic Robo-Kid joined our team this year as contributing editor to cover our dark synth category.

In the past, Absynth had the annual Holiday episodes featuring performances and appearances by friends and fellow artists. This year, the Absynth Editors put their heads together to gather the list of records that gave the biggest impression and were most memorable, and vividly notable.

KARL MAGI’S PICKS

Bunny X’s Love Minus 80 takes listeners on a lush synth journey through sci-fi inspired tales. It creates engaging music, full of intense feeling. Excellent vocal performances, strong songwriting and guest artists lend extra depth to the music.

Jacket’s Vol. II: Void is staggeringly well-produced, intensely layered music featuring songs with engaging lyrics and ear-pleasing soundscapes. The album also features superb musical guests and an expressive synth palette that deepens its emotional appeal.

Peter Gagliardi’s Pandora Unlocked: Interstellar Black weaves a tale of cosmic fear, heart-rending pain and hope. The album uses the ability of synths to create intense auditory imagery in service of his imaginative, carefully considered compositions.

GammaFlow’s Sunset Deluxe carries me through a surreal ‘80s dreamscape, full of pastel colours and soft-focus sound. GammaFlow and his musical friends bring together their skills and imagination to pull me into the alternate reality that is this album.

Yota’s Room 412 is an emotionally affecting synthpop journey that erupts with superb ‘80s vibes. Yota’s inimitable voice carries the music while the synth backdrop creates an excellent balance between nostalgia and aural pleasure.

Coastal’s Heartbeats has a tremendously deep emotional core that permeates every aspect of the music. The mixture of expressive melodies, beautiful synth layers, and Aaron Hetherington’s first-rate vocal abilities keeps me listening as it unfolds.

LAU’s Circumstance (Take Two) allows listeners to explore the emotional complexity of a relationship challenged by distance and uncertainty. LAU’s musical guests create a sound that is impassioned, expressive and ear-catching on the album.

WOLFCLUB’s Desert Hearts mixes passionate vocal performances with well-crafted lyrics and a deeply engaging sonic palette. The music flows along on a synthesized tide, full of a plethora of ear-catching sounds that grow together into a well-produced whole.

Elevate The Sky’s Dreaming In Color is a luscious slice of retro-synth beauty spiked with his powerful vocals, beautiful melodies and a richly interwoven synth palette. Elevate The Sky’s emotive guitar performances, a host of skilled musical supporters and well-written lyrics

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CZARINA’S PICKS

I had a couple of overlaps with Karl including Bunny X’s Love Minus 80, Jacket’s Vol. II Void, and Elevate The Sky’s Dreaming In Color; and with Thorisson with Alpha Chrome Yayo’s Heart Engine. 2023 has been an amazing year for music for all the “Wave” scenes. It was hard to narrow down, but here are my top album picks. They’re not in any particular order as they each represent something unique and special.

Cat Temper - Mystic Kitten

Our most beloved and iconic synth feline delivered his Lucky 13th Long Play just in time for Halloween this year, as tribute to Alice Cooper’s “Welcome To My Nightmare.” Mystic Kitten is super fun and eclectic synth and retro electro with catchy, layered compositions that tend to get prog at times with its surprising moody twists and turns, along with Cat Temper’s brilliant signature camp. I must also say that Cat Temper vinyl LPs are memorable collectibles - each writ with clever cat-themed puns for song titles, as well as beautifully executed album art and visuals.

Shadowrunner - Ocean of Time: Rebirth / Ocean of Time: Oblivion

Shadowrunner gets us to play a favorite game from childhood - Pick Your Own Adventure! - but with his brand of synth music with this double LP release. A pretty neat concept that I don't think has been done before and thus lands a spot on this list. Each LP carries his signature crystalline and lush compositions and storytelling, but each one ends with a different twist ending: One carries hope and the other deliberate demise. But why choose when you can experience both, right?

Dimi Kaye - The Neon Shredder

Dimi is the zen guitar master of the synth world and this LP might be his best as of yet. Action-packed, exhilirating compositions that harken retro video games and 80s action flicks, The Neon Shredder just absolutely smashes through with drive and emotion - proof that Dimi is one of the few guitarists that could make his ax sing and go far away places but still maintain tasteful expression while treading between modern and nostalgia.

Sunesis - Orbital

Sunesis is probably one of the most underrated synth artists that it is positively criminal on the synth scene’s part. Orbital is a wonderful box of delicately refined space jewels only Sunesis can create. Painterly, tasteful and mesmerizing spacewave artistry, the record plays like cascading comets in the night sky that can transport you to the next galaxy and beyond.

It was also an honor to share the stage with her in Barcelona earlier this year. She is a true talent.

Zanias - Chrysalis

Somber, emotive, with stunning, sharp edges, Zanias’ lush Chrysalis openly conveys heartfelt, painful clarity and deep personal truths around topics of loss, growth, self-doubts, and just simply being human finding her way in the harsh realities of our current world. Chrysalis is a beautifully layered experience with writing and performances teetering between strength, vulnerability and resolve against a backdrop of modern, eclectic synthpop and minimalistic darkwave. Zanias also earnestly uses her voice to challenge oppressive industry systems, and advocates for the welfare of independent artists throughout her tours.

Bethan Lloyd - Metamorphosis

One of my favorite discoveries of the year, Bethan Lloyd’s debut full-length combines traditional Celtic ritual chants and sublime vocal performances with modern ambient electronica all in one powerful, soulful delivery. Her songs give playful imagery of “transcendent folklore on the cool, modern dance floor” vibes. I had her song “Aria” on repeat the entire year!

NINA and Ricky Wilde - Scala Hearts

Probably the best record and collaboration of the year (and maybe ever), NINA and Ricky are like two giant, majestic eagles in flight with Scala Hearts. I wrote a separate in-depth review earlier as it truly was a magnificent experience that elevated the bar in the synth scene. These are the types of collaborations I love to see - each bringing their own weight and genuine perspectives that are complimentary and even throughout. We saw the best vocal performance of her career from Nina thus far. I look forward to experiencing this record live one day.

Elsiane - Elsiane

The Quebec-based trip hop and ethereal electronic duo Elsiane’s captivating self-titled LP delivers otherworldly soundscapes, combined with poignant and mystifying lyricism. Produced by legendary Grammy-winning producer David Bottrill, the 5th studio offering carries the signature transportive elements of earlier Elsiane releases, but this time more organic in instrumentation and atmosphere while retaining vivid details and rich imagery. Moving and emotive throughout, with Elsiane’s unique soulful vocals carrying listeners through peaks and valleys, the record is truly a complete journey filled with varying degrees of emotions in its world-class production.

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THORISSON’S PICKS

Moyka - Movies, Cars & Heartbreak

I rediscovered my love for Moyka at this year’s iceland airwaves festival in november. After seeing her live I saw she had also released a new album this year. That was a good week.

Gusgus - Danceorama

GusGus have been at the forefront of Icelandic electronic music since the 90s. I’d say they’ve still got it.

Blankiflur - Cosmic Wounds

Technically an EP, but I’m going to slip it into my list because I think it’s magical.

Hania Rani - Ghosts

I don’t think I can describe Hania’s music in a way that does it justice, so I’ll just say: I really, really enjoyed this album.

Alpha Chrome Yayo - Heart Engine

Alpha Chrome Yayo's 4th album release this year. I've stopped questioning how this man is able to produce so much quality music at such a high frequency; but I love this album and I love ACY.

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ATOMIC ROBO-KID’s TOP PICKS

I'm a huge supporter of Synth' and 'Wave music of all flavours! So, compiling a top DarkSynth albums of 2023 has been very tricky for me. Given that I have listened to so much and there is so much great music out there, which you' ll discover if you're brave enough to journey deep into that rabbit hole! So, bare with me, in no particular order…

Fixions - Cybermagic Tales

I'm always impressed with Fixions work and Cybermagic Tales certainly lived up to the high expectations I have for this highly skilled, technically brilliant artist. 'Cybermagic Tales' was released in March, yet I can honestly say this has been my go to album for the last 9 months and in my eyes very well deserves to be in anyone's top 5 Darksynth releases of 2023. We bare witness to furious, blood pumping, speed driven tracks. Tracks with intricate synth work, aggression and moments of calm, amazing drum sequencing and catchy hooks has certainly left me in complete awe! 

NightWav - A Darksynth Compilation

Perhaps I'm cheating by including a compilation album in my top 5, consisting of the works of a range of artists rather than one. But, I dare anyone to find a track on here that they don't like. It's brimming with talent that all have released killer tracks aside from this compilation so it's a very worthy top 5 candidate. Let's be honest you can't go wrong with the sheer force that is Draven, Connör, Ectoplague, MASKED just to name a few! All electrifying, dark and dangerous! For me I discovered a few new artists with this album, which is what I love most! I've missed out not having any Vétu De Noir or DreamReaper in my collection previously. Go check it out, you'll find something different and a new way to get your freak on! 

Magnavolt - MOTOKO 2 

This is a deeply immersive listening experience, providing a deep dive into the dark underbelly of dystopian cityscapes. This is a well produced album filled with interesting sonics that work in transporting us into a stark future fuelled by violence. A combination of mid tempo and Cyperpunk flavours have kept me hooked. I highly recommend you tap into the mainframe release that anger and fight to the bitter end! 

Isidor - S T Y G I A N

It would be hard not to have noticed Isidor's mammoth release S T Y G I A N. It's an album that has had a ton of plays across multiple channels and rightly so! A slightly more light and sparkly release than my other best 5 of 2023! But, It would be a crime not to include it. The tracks are tightly composed, with breaks and changes that will surprise you with a nice leaning to EDM styles. This, blended with retro' 'punk accents work a real treat. A definite must listen! 

Occams Laser - New Blood III

I always look forward to a Occams Laser release and I was buzzing when New Blood III was pumped into the world. Classic fare from the Darksynth genius, with all the dark, rock-esque synth sounds That had me hooked as a fan many years ago. So many catchy, Darksynth party tunes in here. Jaw dropping song composition, melodies that effortlessly interchange and evolve, that growling bass. It's just Darksynth bliss, don't miss out!

My Favourite Singles Of 2023

by Karl Magi

Introduction

The time has come to list my favourite reviewed singles for 2023. Once again, the depth and breadth of the music created by the #synthfam is impressive and I am privileged to hear so much of it through my work! I had a tough time choosing my favourites out of a field jam-packed with talent, so know that I thoroughly enjoyed so much of your work! Without further ado, here’s the list.

Arcade Ocean - Nightride

The darkness and discomforting quality of this single was interestingly set in the midst of more radiant and lambent sounds, carried by Arcade Ocean’s vocals with their twisted tenderness. I was attracted by the bass umbra being contrasted against the brilliant chimes tinged with a nervous feeling.

The songwriting told a dark tale that I found compelling. I enjoyed how the vocal layering worked in this song as Arcade Ocean’s distinctive vocals were balanced with a second layer of his warm voice. It was the study in musical contrasts combined with intriguing vocals and lyrics that delved deep into darkness that stood out for me here.

Blackpoole & Luci Rivas - Love Noir

Luci Rivas’ voice, the sax’s reedy power and Blackpoole’s sonic palette are the elements that I was deeply engaged with in this track. I was pulled in by the gentleness in Luci Rivas’ voice along with a thought provoking exploration of humanity and AI. The sax added the right emotional quality to the heartfelt, soothing melody.

Soaring guitar added more passion. The pink pastel sound created by BP complemented the narration. I enjoyed the sense of a futuristic AI being that has been created to seek out love. The sensations, sounds and feelings all came together to pull me into the music.

Chrome Glider - Network Outskirt

I enjoyed the evocation of emotion through the complexity of interwoven synth sounds on this single. I was drawn to the monumental bass, synths with cradling softness moving through billowing sonic clouds. Chiming, bell-like sounds add luminance and the main melody made me feel lost and mournful.

The way in which Chrome Glider created contrast between that intimidating bass weight and more smoothly shining synth was another reason I enjoyed the single. Finally I was enamoured of the gruff electric guitar melody mingling triumph with heart-aching emotion. As a whole, I enjoyed the musical depth this single displayed.

Just Scott & Aisle 9 - Destination Fight Back

A powerful, encouraging message delivered in Just Scott’s grabbing voice along with Aisle 9’s skillful production was what excited me about this single. I was inspired by the song’s call for defiance and strength in the face of challenges as Just Scott expressed it in his ntensely emotional vocals.

I also enjoyed Aisle 9’s combination of crystalline chimes, twisting arpeggios and tremendous drum weight. I found the coruscating synth melody mixed tenderness and action well and Aisle 9’s mellow guitar added energy and uplift to the music. All-in-all it was a superb listening experience as it evolved.

Michaela May- Two Faced Lover

The way in which Michaela May’s impassioned vocal performance delivered an exploration of deceit and betrayal in a relationship against a energizing synthpop backdrop attracted me to this single. I was galvanized by Michaela May’s soulful voice and a vocal melody that was hurting yet dynamic.

The synth textures and timbres along with bursting percussive pulses added liveliness and depth to the music. I was interested by strings twining through in glistening motion and an elastic sounding synth with textural xylophone added in the background. Ultimately it was Michaela May’s defiant performance that won me over as she drove her lyrics home.

Russell Nash - Amazonia

The wonderfully woven synth imagery of a rainforest journey permeates every aspect of this track. The synth selection creates lushness from calming high synth with a glowing feeling and mingles panpipes with an energetic touch, brimming with eager life. I enjoy how Russell Nash adds shape with a guiding bassline here.

The melodies that Russell Nash crafted were another draw for me. They roamed through motivation and adventure as they evolved. I also enjoyed the organic feeling mixing with synth sounds, especially the effervescent xylophone sound. It was the sense of being transported that stood out for me.

Rogue FX & Dilemmachine - Back In Time

The way in which this single combined Rogue FX’s vocal skill with Dilemmachine’s production chops created a vibrant musical experience for me. The distinct tones of Rogue FX’s engaging voice, telling a story of yearning for times gone by anchored the song. Dilemmachine’s synth choices gave the single more strength.

The main melody was compelling and hollow synth with a xylophone-like quality, sparkling sounds and dancing energy added more layering to the song. I also enjoyed the support given by punching drums and solid bass. The way in which nostalgia combined with uplifting emotion attracted me to the music here.

Sandor Gavin & LaVahn - Slave To Love

This song’s exploration of spurned desire through LaVahn’s vocal performance, Sandor Gavin’s luxuriant production and a funky disco vibe made it a single that I deeply enjoyed. I was drawn in by the dance floor friendly beat as throbbing retro drums lock in with dense bass.

The way in which warmly entangling synth was supported by flaring chords added a calming sensation while LaVahn’s voice moved with silken ease. The level of funk was increased by slap bass while the encouraging melody balanced out raw need tinged with loss. I was compelled by the intensity of feeling in the song.

Star Madman - Fool

The amalgam of Star Madman’s always outstanding vocal performance, well-crafted musical backing and first-rate songwriting is what attracted me to this single to such a degree. I was drawn to the way Star Madman imbued a melancholy tinge in her vocals, despite their warm nature.

Delicacy, ethereal sounds and the way in which a string section brings warmth while the digital chimes add charm above colossal bass and smacking drums. I also liked the contrast between power and tenderness in the vocals. The lyrics had deep feeling within them and they rounded out the single so well as it unfolded.

Sunesis - Galaxy Empress

Every element of this single radiated cosmic tranquility and complexity in many sonic layers. I found that the layered sounds create peaceful, introspective feelings in me. Sunesis is skilled at painting imagery in her music, allowing me to picture a galactic vista flowing past my starship window.

I found Sunesis’ worshipful, wordless vocal melody beautiful and the way in which transcendent synths bend with a melancholy quality was touching for me. I also liked the bass gruffness and the way in which peaceful arpeggios spin out into vast space. The whole single left a deep impression of galactic floating for me.

Mike Templar & Kal-Elle Jagger - Celestial Dreaming

I was captivated by this song’s message of reengaging with one’s emotional life and the mix of delicacy, power and feeling formed by Mike Templar and KEJ’s musical collaboration. At the centre of this single is Kal-Elle Jagger’s touching voice and a vocal melody that entangles loss, hope and intense feeling.

Mike Templar wove together synth sounds that emphasized and supported the power of Kal-Elle Jagger’s performance, giving it more engaging emotional strength. The use of piano in the song added warmth and solid bass mingled with hollow percussion to add shape. For me, it was emotional engagement that kept me hooked.

The Sunset & Miss Zagato - 2Serious

I was especially enamoured of this song because of the way it mixed strong lyrics, expressive vocals and a luscious musical backing. I enjoyed the way The Sunset created music like a clear sonic pool that was underpinned by shadowed bass and supported by gently touching piano chords.

I enjoyed the way in which Miss Zagato’s voice glides expressively as she captured lyrical emotions with skill. I was also attracted by the radiant qualities within The Sunset’s synth sounds along with the propulsive nature of the drums and bass. I was compelled by the whole package of this single and its feelings.

Montse Torres - Dancing In Paradise

The way in which Montse Torres combined her wide vocal range and expressive synth palette created an intoxicating combination for me on this single. The exuberance that characterizes this song includes a lead synth full of sunny illumination. Montse Torres gave an impassioned, expressive performance that was lifted by strong songwriting and vocal power.

I enjoyed how each sonic element contributed to the song’s message of an all-encompassing feeling of love and energy. I was especially drawn in by the fierce drums and razor-edged bass that lent forward motion to the song. The whole single was uplifting and joyful for me.

Fonz Tramontano & Neaon - A Thousand Miles Away

This single gave me an impression of a touching declaration of love that was heightened by Neaon’s vocal performance, well-crafted lyrics and Fonz Tramontano’s production abilities. I found that the music’s feeling of overwhelming love brought tears to my eyes. The music wove an irresistible spell around me.

I was touched by the mixed passion, ache and need in Neaon’s emotive voice. The way that the production supported her performance with undulating bass and gigantic retro drums added positive energy. I also loved the panpipes exhaling ethereal notes. The entire song wrapped me up in affectionate dreaming as it carried me on an emotional voyage.

Techno Mage - Hexproof

Review by Karl Magi

Overall Album Review

Techno Mage’s Hexproof takes us on a terrifying, intimidating auditory adventure through a hellish techno-dystopia combining relentless power and seething darkness. This is a musical onslaught in the best way possible as it mingles raging guitars, chip tune sounds and unstoppable percussion. When one adds in a roster of musical guests, each bringing a unique talent, the resulting album is deeply pleasing.

I enjoy the way in which Hexproof weaves together musical elements to create an atmosphere rife with terror and technological oppression. The guitar has palpable weight and slashing edges while chip tune sounds create a sense of retro-future technology and the drums and bass add feelings of oppression and looming shadow. I find myself transported by the music, painting twisted images in my mind.

Hexproof benefits from a range of musical contributors who each bring their own twist to the album’s tracks. Their talent adds to the depth of the music and gives it fresh flavour. I believe that there’s huge ability within in the community surrounding synth-based music and this album goes some way to supporting that belief.

The way in which the album balances various timbres, sonic textures and tonal elements adds layered complexity to the music. There is, of course, tremendous power and rage but there’s also richness, contrast and emotional depth here. I am enamoured of how these elements form a compelling whole as the album unfolds.

My Favourite Tracks Analyzed

“Ghost” comes to life as darkly seething bass tumbles below a taut note that extends in a long flow. Trembling, nervous notes add a keyed up feeling as rounded, ethereal synth glides out. Vicious drums are joined by rampaging guitar that fades as threatening bass mingles with tripping chip notes.

Intimidating, shadowy synth rises as tense arpeggios spin. The drums are a crushing weight as surging guitar forms a fulminating tide. There’s superb contrast as the track slips into a delicate glissade as chimes sparkle. Haunting synth cries out in a lost pattern as the drums, guitar and chip sound fades.

Reverent choral voices move with harsh sounds and rising chords effectively embody nobility to start “Ironsight.” Gigantic drums and lacerating guitar are joined by Shubzilla’s sharp-edged vocals as wet sounds move.

Colossal guitars and attacking drums support Shubzilla’s intense, active vocal delivery as the guitar forms an interwoven wall. Razor-edged bass and aggressive drums charge in as Shubzilla chants.

Guitar dances in angular motion, slicing in as the rushing low end forces itself forward. The lead singer calls out as the pumping drums are given muscled life by leaping guitar. Wobbling notes sway and more worshipful feeling flows from choral voices before crunching anger fills the guitar as drums pummel.

The narrator appraises a new recruit for their cause, “just a greenhorn that I gotta lead along.” She says they’ll have to pay their dues because “ones like you been here before” and there will be more like them. She adds that names aren’t important and “you’d better learn fast.”

Our storyteller asks what this recruit brings with them and concludes that they’re “nobody different, just the same old thing.” She adds that it isn't hard to see by the way they fight, running on fumes all the time. She says that the recruit isn’t "bright, new or innovative" but it's better than their not participating. All she wants to know is if they’re ready.

Now the narrator asks what the other person is waiting for. They need to “get your foot out that door” and stop showing insolence. She wants to know that they have it right. She tells them to “shut up and give me more” without arrogance. She points out that “I’ve got you in my sight.”

“Spare me the talk, we takin’ action" is what the storyteller says to the recruit. She wants them to team up and "make some traction." Their work is done and she asks the other person if they're ready go. The people that they're challenging are now going to "reap what they dared to sow.”

The narrator adds that people shouldn't think that because they're not that big, they can't make waves. She goes on to point out that “we ‘bout to bust this gig" and put them all in their graves. There's no need to know where the other person comes from and the "stacks of bodies got me numb.” She wants to catch the flow and tell everyone what’s up.

This tales’ teller asks what the recruiters waiting for and tell them to shut up because "it's time to sore" and kick in the initiative while they wait until the fight wade into the fight. She goes on to tell them to "shoot the core, avenge the fallen (with) redemption into the night.”

Our narrator talks about doing what’s necessary to “get that dub.” She asks if someone like the recruit can measure up, adding “don’t front, you ain’t tough.” She tells the other person to take a chance because the struggle is bigger than them.

Her question for the song’s subject is “What are you waiting for?” She tells them to quit talking and focus so they can “reveal the fraudulence, bring it into the light.” There’s no scorekeeper so the recruit has to give their all and fight hard.

Now the storyteller says that if the recruit is dreaming of a time after war, there’s no room to hesitate and there’s “history to rewrite.” She tells the other person that they need to “calculate what’s in store” since they have to be underway.

“Precognition” commences with trickling chip sounds as soaring and heart-lifting notes call out above the roaring low end. The main melody vaults forward as smashing drums and tidal bass surge drive.

Chippy notes trace through and the drums strike with massive force as the guitar lashes out. Choral voices join the digital-sounding melody with its adventurous feeling. The guitar adds a blues-y riff and the low end rushes massively as the guitar bellows.

The low end embodies titanic force while the chip melody climbs, adding an excellent sense of uplift and inspiration. Guitar calls out and the drums and bass rush hard along with the choir as the track ends.

Intensely biting guitar lacerates in bursts that rock the track with fearsome power to open “Bleeding Edge. “ Spectral synth cries out with a ghostly feeling above the roiling guitar and bass mass that looms through the music. The guitar that erupts with seething strength as chip synth leaps up.

I am drawn to the guitar solo which unfolds with nobility and intricacy as the tide below it heaves. The guitar assault is massive while wide sounding synth drifts out in long lines, sounding lost. The low end moves with tectonic force and rushing, enraged guitar surges. Digital sounding synth flies free and the guitar sings with arcing triumph before the track ends.

“Self Diagnosis” kicks off as bass, like the vast darkness of outer space, wells up. Choral voices chant with ominous emotion as a heavy drum smashes in broken lines.

Now guitar churns with crushing strength as the drums impact with deadly force. The choir’s voices ring out with shadowed emotion as the guitar wall adds with energy and intimidation.

There is a well-expressed hellish quality as in the angular guitar that tears in with razor fangs. The choir cries out in a possessed howl as string-like notes also surge and the guitar leaps out with lacerating power before the track ends.

Twinkling chimes flit as colossal drums smack and rattling cymbals hiss to start “Silver Tongue.” A towering mass of roiling shadow pours in and high synth cries out before a chugging bass pulse joins an orchestral sweep that adds a superb dramatic intensity.

Brassy notes flash out and rippling, resonant arpeggios spin as bass growls and a guitar maelstrom makes a ravening attack. Full-sounding arpeggios ramp up tension and motion above the low end. Taut high notes float out with a lost feeling while the drum and bass storm breaks with staggering force over the track as it draws to an end.

“GodMode” begins as pulsating bass moves below medium high, glistening synth flowing in a mysteriously glowing pattern. Skipping synth wriggles as broad drums burst and threatening bass slips past.

A guitar shreds in with ferocious power as the gleaming synth flickers out. 8-bit notes flare while the guitar charges on and reverberant synth sings a surprisingly tender melody that I enjoy. Jagged guitar shards drive in a raging tide and cymbals clash.

A digital-sounding melody sings out with soaring triumph above the terrible energy emanating from below as the drums collide. The chip melody carries nobility and intense motion as arpeggios twirl. The storm is unrelenting as the track finishes on a dark sonic flow.

Radiant string-like synth unwinds in lustrously dancing arpeggios to open “OmniVision .” Bass adds a dangerous feeling, rising in huge walls as airy sounds rush through with a choral sound and guitar adds seething power.

Giant drums smash hard and trembling synth moves in agitated lines. Heavy drums explode along with a choir screaming out to effectively add a sense of horrifying threat.

The guitar embodies unfettered darkness and the drums shatter. Nervously spinning arpeggios fade with pizzicato notes as the track closes.

Conclusion

Hexproof is an exhilarating, terrifying and colossal slab of power and darkness. It allows Dan Butler (Techno Mage) and his fellow creators an intense musical expression that explores a dystopian technological world that looms above us all in a possible future.