ODDER - Pagan Incantations

Review by Atomic Robo Kid

Mysterious shrouded figures hold forth an ancient otherworldly vessel: To the unaware eye an enigma, an object with no obvious purpose. To this gathering of cloaked beings, the purpose has been written in scripture for millennia. The time is right, the planets finally aligned to allow the summoning of the ancient alien forces. Ancient, according to time but far superior in technological advances that humankind will ever understand. 

No sooner had they stepped onto the sacred platform that the vessel began to emit a high pitched melody, the ceremony has begun!

Odder brings us his newest offering 'Pagan Incantation' which starts with an accelerated tension building sequence, then an electrical high octave accent sound with a sonic backdrop of impending doom and gritty, overdrive bass! 

The device, with its high pitched tones that are increasing in complexity have started to rip open space itself. Thunderous sounds create a parting amongst the atmosphere, the time is right for our masters to enslave us once more and the time is now for Odder to ensnare us with his catchy hooks and draw us deeper into his groove ridden composition. What an intro!

Around a minute in there is a very cool breakdown, the calm before the Alien storm. Odder's signature hits, samples and glitches create a really interesting rhythm, pure seduction. Which, is further assisted by those spell filled chants. Deep, illegible mutterings sit amongst this impactful percussion, setting the scene for the ceremonial ritual. We've caught our breath but begin to witness the start of eternal domination as the track makes powerful progression. 

Towards the end of the track those high octave accent sounds and the chants of the believers are at the forefront of this rich sonic tapestry creating a clear sense of an approaching cataclysmic climax. I've already built my Doomsday bunker, and that's where you'll find me.... Listening to this track. Loud! 

'Pagan Incantation' is an impactful track that will get your heart and mind pumping, the power behind the drum work will make certain of that. The layering of vocal elements, with the illegible chanting, adds a welcome extra. Perhaps, transforming a passive listener to an inquisitive participant. I really enjoyed the gritty baselines and thumping drum sequences. Both of which are prone to a sprinkling of glitch. Basically balancing those nuances of Cyberpunk and Darksynth so well, yet spawning something new and exciting! 

Let it be known Odder has an EP release, coming later this year, and mark my words it is going to explosive! I've developed a taste for those dark glitches, fine tuned horror themes, mix tearing bass and clever percussion. I don't think I will be able to wait! However, in the meantime I highly recommend you listen to 'Pagan Incantation'.

For more tracks from ODDER, visit: oddersound.bandcamp.com

DARKTUNES: The Archangel And His Legion

DarkTunes Artists: Agnis, Paula Yu Simon (Her Own World), CZARINA, and Freak Injection at the European Dark Dance Treffen, Mannheim, Germany. November 2023. Photo by Visionathor.

Written by Vero Faye Kitsuné (CZARINA)

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Happy New Year, Everyone!

2023 gave us some incredible records across the dark music and alternative genres which include: Dead Light's infectious modern EBM-infused, 80's gothic glam synthpop LP entitled Glitterspit; Polish Industrial-Metal band Her Own World's otherworldly and allegorical debut LP, Tales From Another Life; Moscow dark electro artist Apnoie's vibrant yet rebelliously secularist, chic darkpop offering, Ivory Tower. 

Although very different in styles, these releases - which received nods and waves from critics, dark music lovers and authorities alike, landing in some of the best year-end lists - all share something in common: They're all part of the German gothic label, DarkTunes Music Group.

My introduction to DarkTunes was a memorable one.  A few weeks after moving to Spain from New York 4 years ago during the pandemic, I got a message from the French-German DarkTunes CEO, Raphael Beck - or simply "Raph", asking if I would be interested in joining their roster. The timing seemed perfect. Along with the move to Galicia, I was also going through some changes with my music and art, being heavily inspired and reinvigorated by my new home and lush surroundings. I have been wanting to move forward from my neon-tinged synth soundscapes, explore a new epic sound and return to some of my dark rock and progressive roots.  I decided to look up DarkTunes' website to see if this would be the proper alignment for me. It led me to a landing page covered with photos of Raph hanging out at an animal shelter with some cute puppies, looking blissfully happy and radiant, and being a true embodiment of the seraphic nature of his name. Some weeks earlier, the label had just raised funds for Tierschutzverein Heidelberg from the very first DarkTunes online festival featuring DarkTunes acts and other members of the dark alternative online community.  Raph was hand-delivering the donation to the animal shelter himself.

Being a huge animal and doggo lover myself, I took all of this as a massive sign that indeed, these are my people without any doubt.  After phone meetings over contracts and agreements, I signed with the label and became their first Asian-American dark music artist-producer, and their first artist out of Spain.  But my relationship with the label is not just that of an artist-producer, but also as a fan, an avid spectator, and also similar to that of a student navigating the world of dark music.

DarkTunes CEO Raphael Beck, CZARINA, and DeadlyKawaii at the European Dark Dance Treffen, Mannheim

With over 10 years of music industry experience and expertise in the actual business of music and online marketing, Raph launched DarkTunes Music Group in 2013. The label has become one of the fastest-growing, most diverse labels with the most diverse roster in the dark music and alternative community, with genres spanning across industrial, numetal, darkwave, synthpop, dark electro and monster hellektro, goth and gothic rock, dark pop, dark ethereal fantasy and mysticism; with artists and bands hailing from all over Europe, the UK, parts of the US (including Puerto Rico), and South America. Armed with a growing YouTube Channel of over 145K subscribers strong, a long list of the most loyal Bandcamp supporters, some of the most popular Spotify dark playlists, and a refined, tried-and-true strategic approach in growing his talents, Raph prides the Baphomet-logo’ed label as a vanguard, a flourishing spring grotto and safe haven for his carefully hand-selected, unique and very vast array of dark music artists and bands, along with their distinctive qualities and respective vision. In the giant (and sometimes harsh, cruel, toxic and downright bitchy) world of dark alternative music, Raph's vision cuts through the deep dark sludge like a blazing pillar of laser centered around a carefully cultivated international landscape where dark creatives and visionnaires from several different backgrounds can thrive and intellectually feel safe.   

DarkTunes bands and artists may be vastly different and unique from each other, yet they are ultimately united by certain notable characteristics and mission. A great number of talents the label nurtures are women or women-led. Along with each band and artist's unrelenting commitment to their own individual artistry, and high-caliber music and video productions that amplify the DarkTunes channel's notoriety with each release, the artists seem to enjoy their own flourish while nestled under Raph's giant wings. He's referred to as the Archangel by his talents. Yet despite being quite the celestial figure of his own dark legion, Raph is hardly the cult-like leader anyone would expect.  Strong, firm, wise yet gentle and soft-spoken in his demeanor while dispersing guidance, the Extize and Basszilla frontman and DJ does not carry an ounce of the pedantic, high Machevellian and dark triad airs unlike others who reign over similar positions of leadership. Raph remains humble, dutiful, hardworking and laser-focused on the objectives and best interests of his artists and their projects, starves the oxygen of any potential drama, consistently maintaining a lighthearted, positive and cherubic attitude while allowing the artists he's fully invested in complete free reign and full creative control over their own respective projects. Always available for every single one of his talents, he is only a WhatsApp or Facebook Message away.  His unique amalgamated positive approach to leadership couldn't help but inspire and foster a greater sense of family and camaraderie amongst DarkTunes artists. 

"For us DarkTunes is like living in a wonderful great family of brilliant artists and personalities. We want to thank Raph for supporting us to make our dreams and creativity come to life," says Heiko Lachmann of the German Industrial-Darkwave band, TOAL.

This united front does not simply exist on social media, but it finally came to full fruition last November when several DarkTunes acts were invited to share the stage and perform during two of the biggest nights at the European Dark Dance Treffen in Mannheim, Germany, creating possibly one of the most memorable moments in DarkTunes' history: Toal, Agnis, CZARINA, Her Own World, White Ritual, Freak Injection, Cattac, Dead Lights, and Basscalate. The artists and bands meeting in person for the first time forged, solidified and reinforced the values they each already carry at the core of the label, amplifying the alignments they all share in full evidence of why they were hand-selected to become part of DarkTunes. 

Adrian Adrianowski at Dark Dance Treffen, Mannheim. Photo by Visionathor

Kamila Louve at Dark Dance Treffen, Mannheim. Photo by Visionathor.

"Raphaël is a great strategist, businessman and friend. He has a good sense of selecting and promoting bands. Everyone in the label can count on help, support and a good friendly word. He can take care of every brand he publishes. Privately, darkTunes is not only a label and a business machine, but also a family!" exclaims Adrian Adrianowski of Her Own World.

Kamila Louve of Her Own World adds that the "Darktunes label is a very special group that gathered amazing artists and creators of the most positive energy and magic. I am grateful for being part of this." 

"DarkTunes is not just a music group. It’s a group of family like friends who can count on each other. But most importantly: we have our own angel watching over us: Raphael," says Polish Darkpop and Witchpop artist, Agnis.

"We are proud to work with Raph from DarkTunes. He is a well of musical science, very invested in his label and his groups. He has succeeded in bringing groups from his label from the 4 corners of Europe for the Dark Dance Treffen and our bonds are stronger than ever!" exclaims Lily of White Ritual

Heiko Lachmann of Toal, Agnis, CZARINA, DeadlyKawaii, DJ Reaktor-4, Visionathor | European Dark Dance Treffen 2024, Mannheim.

In April of 2024, DarkTunes will have its very own festival called DarkFest: Monsters of Electro Vol. 1 in Bochum, Germany featuring top hellektro acts Extize, Synth Attack, Dead Lights and Antibody.  A multi-city DarkTunes festival tour with several DarkTunes acts are also currently in the works, as well as DarkTunes' participation in the iconic gothic festivals such as Castle Party in Bolkow, Poland (featuring Extize, Blackbook and CZARINA), Wave Gotik Treffen in Liepzig and more in 2024. 

In the ever-changing music industry landscape where independent artists become more and more vulnerable, DarkTunes under Raphael Beck's leadership shines the light on a special path that exemplifies that there is not only power and perseverance in unity, but a profound and meaningful artist experience that can change the shape of artists-label and artist-to-artist relationships going into the future. The Archangel and his legion are leading the flight towards even greater and higher roads with heart and passion in diverse unity while serving a higher purpose from the shadows and a promise of longevity.

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“Since 8 years of collaboration between Omnimar and darkTunes we sincerely believe this is a perfect fit, our union is about honest relations and trust, about reaching goals while staying in our comfort creative zone. Thanks to our united efforts we could achieve great results as multimillion YouTube views, participation in big dark festivals, recognition in the international dark scene. I can clearly see that being an artist at darkTunes means being respectful to each other, putting human and art above business and social imbalance, growing together, feeling like a part of a strong united family."

- Maria Mar, Omnimar 

“My experience with darkTunes has been transformative. The artists on the label all have an individual sound and own where they are from and their story. What I love most about working with Raph is his mixture of raw honesty and unique perspective on vision. I look forward to working with darkTunes and other artists on the label in 2024.”

- Circuit Preacher

Her Own World at European Dark Dance Treffen, Mannheim. Photo by Visionathor.

"Apart from all the advantages of Raph's character, he is also a great businessman and professional when it comes to running a music label. As a band, we feel cared for and appreciated for our music and we love his modern approach to promotion. Personally, Raph is not only a friend to me, but also a role model in the music industry."

- Paula Yu Simón, Her Own World

DarkTunes is more than just a label for us. We are infinitely happy to be part of this large international family, and we want to thank Raphael for seeing the potential in us and continuing to believe in us, charging us with energy and lighting the flame in us.

- Roman Munster, Dance My Darling

"I have been in the gothic scene since the mid-1990s and have been active as a DJ since 2001. What makes DarkTunes so great is the variety of different genres and the great bands. In every one of my DJ sets there is always a big darkTunes special set."

- Dirk Jordan aka DJ [Reaktor-4]

For the complete list of DarkTunes Artists and their works, visit: https://darktunes.bandcamp.com/artists

Damokles - Then When?

Review by Karl Magi

Overall Album Impressions

Damokles' latest album "Then When?” Is a look back at music he made in the ‘80s and ‘90s. The album combines his freewheeling keytar playing with a fascinating plethora of percussion sounds, unique vocals and sense of musical playfulness. I enjoy the dynamism, humour and personality that permeates this album as it unfolds.

The first thing that strikes me about “Then When?" Is the way in which the high production values mix with synth layers that ooze funk, ear-catching sonic combinations and charm. I find Damokles’ keytar playing a real pleasure to hear with its intricacy and jazzy motion. I like the way in which he is interested in using sound to create an atmosphere, and imbues the music with a real sense of play.

Damokles has one of the more unique voices that I've heard in my music reviewing career. He has a fresh sound with a unique timbre and resonance to it. It is unmistakable and I respect that fact a great deal. I also derive a great deal of enjoyment from the old school raps that he does on a few tracks, I do love the feeling it adds to the retrolicious sound already present on the album.

I have always been enamoured of the production values in Damokles’ music. All of his sounds are crisp and clean with sharply defined details and a nicely delineated stereo field. I think that the great production adds to any music’s listenability and Damokles has that to spare. I like the auditory travels on which the sounds take me.

My Favourite Tracks Analyzed

“Pose To The Rhythm” commences as dense synth moves in motivational lines as thundering drums batter and snaky synth twists along with samples of Damokles’ voice. Record scratches and crisp percussion underpin piano notes trickling past.

Now Damokles’ voice pops and bounces while a rubbery synth bends. Lambent notes flare out along with orchestra hits and glowing synth jumps out along with Damokles’ fun samples and giant drums. Damokles’ keytar carries a melody that glides with charming tranquility as it moves with all the madly clustered samples.

A scudding drumbeat supports a bell-like synth that fills the track with light. Piano notes trickle past and the drums and bass drive onwards. The track fades on vocal samples, dense bass and glimmering synth.

Metallic synth bursts in angular, wandering lines to open “I’m Falling In Love.” Wind sweeps, brass hits explode and massive timpani batter while a kick drum pulses. Illuminating synth carries an uplifting melody above driving low end motion and continual synth eruptions that bathe the song in brightness.

Damokles’ unique voice carries a tender vocal melody out above the intense low end. Drums add shape to the track as radiant notes fly into the song. Damokles’ voice has a rich quality as it fills the music with life. Effulgent synth erupts again and the pumping beat moves onward.

The vocal melody is full with feeling as active percussion leaps. Twisting samples cut in and the kick drum pulsates. Damokles’ voice is chopped and twisted while metallic notes writhe. Scintillating synth jumps in and the bass throbs as we end on orchestra hits.

Our narrator is talking to the object of his affection, telling her that he’s given her his soul and he’s “fallin’ into your world.” He points out that he comes running when the other person calls his name. He says that he keeps on running, but he doesn't want to stop because "it is done with the power of love.” He asks the song’s subject if she feels the love to and adds "please say you do!"

He talks about merging their lives into one and says that the other person can "like a surgeon, cut me loose and ease my burden.” He asks the other person to call his name and I'll see him they'll see him and. He says that he's not the same "now that you need me and his once empty life has a meaning he can see.

“It’s Electric” starts as popping synth zaps in bursts that become a pattern over slamming kick drum and clapping percussion. Electricity flows and round, fat synth moves in a minor key twist as impassioned female vocals ring out.

Record scratching cuts in above the intense groove as rising synth adds luminosity. Nasal-sounding synth vibrates and the low end pumps as the record scratches skip through.

I want to boogie on down with the massive, lush bassline. After a flashing orchestra hit, gliding synth and sparkling chimes join the female vocals as they fade.

Rounded, bubbling notes move in a rippling pattern before percussion with metallic qualities taps in as “Axe It!” opens. Colossal drums burst and sharp-edged synth cuts in while clapping percussion moves.

Wriggling, scintillating synth leaps in a dynamically twisting melody above the shaping low end. Percussion explodes and bending synth with a brassy shine dances in rapid motion with a charming, encouraging melody running out while dense bass jumps.

Now a heaving, pulsing percussion solo with massive drums pounds in. Gleaming synth sings an energizing melody and glassy percussion tinkles while the bending, snaky synth twists again. The heavy low end throbs and the main melody sings out in lively motion to end the track.

“DJ” kicks off with huge, funky slap bass moving in a popping line along with a snare drum. A heavily dancing percussion section becomes a groove as drums flourish and equally funky synth jumps in.

Damokles’ inimitable voice comes in and now a classic rap segment about the joys and challenges of DJing is cut by shining trumpeting synth in a catchy, uplifting melody. The rap jumps through with the heavily exploding drums and the radiant lead synth while the bassline flows. The rap is a whole lot of fun and slap bass brings a heavy funk dose.

The keytar solo has the typically intricate and wild sound we can expect from Damokles. The synth in the breakdown has irrepressible energy as it writhes while the keytar keeps twirling in complex, jazzy motion. Battering drums rebound and the samples all move in wild abandon as the trumpeting synth rings out with irresistible life.

Heavily hitting drums move with Damokles’ flitting, chopped up vocals that bounce through the music to start “Dressing Up.” Densely expansive synth moves in broadly floating motion, slowly undulating as the chopped vocals keep moving in rapid lines while the percussion keeps on shaping the song.

Now brilliantly shining synth carries a melody that is full of an exuberant sense of joy that fills it to the brim while the crisp percussion keeps giving the song form. Damokles’ vocals cruise into the song with a laidback feeling while bass bubbles and percussion taps smoothly.

I enjoy the illumination from the lead synth as it fills the track above the percussion and bass motion that imbues the song with a continuous feeling of lively energy. The chorus has flying dynamism pouring out to create propulsion and excitement from the glittering synth while the low end drives forward.

The melody sings out with a feeling of adventure and yearning while the vocal sample trip past in popping motion. The song draws to an end on one of Damokles’ whirling synth solos that dances past in madly wheeling lines before the music ends on sunlit synth and rebounding drums.

Our storyteller talks about dressing up, getting down and going downtown. He talks about hiding one's face behind a mask. He asks what one might see looking at all of the “hidden faces staying out of the light like you and me.”

He wonders why everyone is playing by “the rules of the game” because they are all different but look the same, no matter where one goes. The storyteller wants us all to look around to see who people are at their core. It’d create profound change if people were to “branch out the tree.”

The narrator points out that less conformity would mean that rather than uniform rows of flowers, we could have “fields upon fields of exploding colors.” He asks us to imagine if people would be themselves rather than “posers hanging out by the bar.”

He asks people to let the light in and stop the rain, opening the doors and letting their chains drop away. He also comments on the irony, that even people who claim not to conform “you still need to have the look and accessories to show that you belong.”

“Look At The World” starts off with fat, funky synth that swings through after Damokles counts it in. Radiant notes flare in before steel drum like synth and metallic percussion are joined by shimmering synth that flickers while the bass throbs.

Damokles’ vocals have their usual compelling feeling while the reggae influence is clear. Shiny synth adds sunlight while the low end has a strong groove drive by varied percussion and colossal drums.

The keytar solo jams in with intricately intertwined notes becoming a richly dancing whole. I enjoy the way in which all of the parts here contribute to the powerful groove that locks all the parts of the song into a whole while Damokles’ unmistakable voice carries the song to an end.

Our narrator asks the audience to "take a look at the world now, it's the only one we got." He says that we have lots of people with knowledge "but the temperature is getting hot.” He elaborates by pointing out that it won't cost very much to be friendly and lend a helping hand, but "then I could help someone else.”

The storyteller is emphatic in telling people to "shape up!" and not just stand around waiting but make change while trying to "go without leaving a trace." He says that if there's something you can do, you should do it because then "the uncharted founding of a new world is done with room for everyone.”

Conclusion

“Then When?” is an album that is full of exuberant energy, a powerful groove-based low end and Damokles’ inevitable sense of fun and excitement along with his unforgettable keytar solos and unending playfulness within each track. I enjoy hearing the fact that all of the elements that define his music have been there all along.

ABSYNTH EDITORS: Top Records of 2023

The year came and went rather quick! 2023 brought a lot of bejeweled moments as well as memorable releases from artists we love. However, the Absynth team did certain things a little different this year. The Absynth video podcast took a much slower pace than usual this year as each of our hosts took a break to do some life-rearranging and soul-searching with the post-pandemic world opening up fully. This year, while Jake continued his hiatus from music-related endeavors, we found Thorisson exploring India and Nepal, and CZARINA went on her first Spain mini-tour and German gothic fest debut. However, certain exciting releases got the video podcast re-engaged again with our favorite special guest host, Chi of ELECTRICITYCLUB.CO.UK for some much-needed face time and chats. Karl Magi continued to deliver a steady stream of stellar album reviews, leading and anchoring our editorial front throughout the year. Atomic Robo-Kid joined our team this year as contributing editor to cover our dark synth category.

In the past, Absynth had the annual Holiday episodes featuring performances and appearances by friends and fellow artists. This year, the Absynth Editors put their heads together to gather the list of records that gave the biggest impression and were most memorable, and vividly notable.

KARL MAGI’S PICKS

Bunny X’s Love Minus 80 takes listeners on a lush synth journey through sci-fi inspired tales. It creates engaging music, full of intense feeling. Excellent vocal performances, strong songwriting and guest artists lend extra depth to the music.

Jacket’s Vol. II: Void is staggeringly well-produced, intensely layered music featuring songs with engaging lyrics and ear-pleasing soundscapes. The album also features superb musical guests and an expressive synth palette that deepens its emotional appeal.

Peter Gagliardi’s Pandora Unlocked: Interstellar Black weaves a tale of cosmic fear, heart-rending pain and hope. The album uses the ability of synths to create intense auditory imagery in service of his imaginative, carefully considered compositions.

GammaFlow’s Sunset Deluxe carries me through a surreal ‘80s dreamscape, full of pastel colours and soft-focus sound. GammaFlow and his musical friends bring together their skills and imagination to pull me into the alternate reality that is this album.

Yota’s Room 412 is an emotionally affecting synthpop journey that erupts with superb ‘80s vibes. Yota’s inimitable voice carries the music while the synth backdrop creates an excellent balance between nostalgia and aural pleasure.

Coastal’s Heartbeats has a tremendously deep emotional core that permeates every aspect of the music. The mixture of expressive melodies, beautiful synth layers, and Aaron Hetherington’s first-rate vocal abilities keeps me listening as it unfolds.

LAU’s Circumstance (Take Two) allows listeners to explore the emotional complexity of a relationship challenged by distance and uncertainty. LAU’s musical guests create a sound that is impassioned, expressive and ear-catching on the album.

WOLFCLUB’s Desert Hearts mixes passionate vocal performances with well-crafted lyrics and a deeply engaging sonic palette. The music flows along on a synthesized tide, full of a plethora of ear-catching sounds that grow together into a well-produced whole.

Elevate The Sky’s Dreaming In Color is a luscious slice of retro-synth beauty spiked with his powerful vocals, beautiful melodies and a richly interwoven synth palette. Elevate The Sky’s emotive guitar performances, a host of skilled musical supporters and well-written lyrics

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CZARINA’S PICKS

I had a couple of overlaps with Karl including Bunny X’s Love Minus 80, Jacket’s Vol. II Void, and Elevate The Sky’s Dreaming In Color; and with Thorisson with Alpha Chrome Yayo’s Heart Engine. 2023 has been an amazing year for music for all the “Wave” scenes. It was hard to narrow down, but here are my top album picks. They’re not in any particular order as they each represent something unique and special.

Cat Temper - Mystic Kitten

Our most beloved and iconic synth feline delivered his Lucky 13th Long Play just in time for Halloween this year, as tribute to Alice Cooper’s “Welcome To My Nightmare.” Mystic Kitten is super fun and eclectic synth and retro electro with catchy, layered compositions that tend to get prog at times with its surprising moody twists and turns, along with Cat Temper’s brilliant signature camp. I must also say that Cat Temper vinyl LPs are memorable collectibles - each writ with clever cat-themed puns for song titles, as well as beautifully executed album art and visuals.

Shadowrunner - Ocean of Time: Rebirth / Ocean of Time: Oblivion

Shadowrunner gets us to play a favorite game from childhood - Pick Your Own Adventure! - but with his brand of synth music with this double LP release. A pretty neat concept that I don't think has been done before and thus lands a spot on this list. Each LP carries his signature crystalline and lush compositions and storytelling, but each one ends with a different twist ending: One carries hope and the other deliberate demise. But why choose when you can experience both, right?

Dimi Kaye - The Neon Shredder

Dimi is the zen guitar master of the synth world and this LP might be his best as of yet. Action-packed, exhilirating compositions that harken retro video games and 80s action flicks, The Neon Shredder just absolutely smashes through with drive and emotion - proof that Dimi is one of the few guitarists that could make his ax sing and go far away places but still maintain tasteful expression while treading between modern and nostalgia.

Sunesis - Orbital

Sunesis is probably one of the most underrated synth artists that it is positively criminal on the synth scene’s part. Orbital is a wonderful box of delicately refined space jewels only Sunesis can create. Painterly, tasteful and mesmerizing spacewave artistry, the record plays like cascading comets in the night sky that can transport you to the next galaxy and beyond.

It was also an honor to share the stage with her in Barcelona earlier this year. She is a true talent.

Bethan Lloyd - Metamorphosis

One of my favorite discoveries of the year, Bethan Lloyd’s debut full-length combines traditional Celtic ritual chants and sublime vocal performances with modern ambient electronica all in one powerful, soulful delivery. Her songs give playful imagery of “transcendent folklore on the cool, modern dance floor” vibes. I had her song “Aria” on repeat the entire year!

NINA and Ricky Wilde - Scala Hearts

Probably the best record and collaboration of the year (and maybe ever), NINA and Ricky are like two giant, majestic eagles in flight with Scala Hearts. I wrote a separate in-depth review earlier as it truly was a magnificent experience that elevated the bar in the synth scene. These are the types of collaborations I love to see - each bringing their own weight and genuine perspectives that are complimentary and even throughout. We saw the best vocal performance of her career from Nina thus far. I look forward to experiencing this record live one day.

Elsiane - Elsiane

The Quebec-based trip hop and ethereal electronic duo Elsiane’s captivating self-titled LP delivers otherworldly soundscapes, combined with poignant and mystifying lyricism. Produced by legendary Grammy-winning producer David Bottrill, the 5th studio offering carries the signature transportive elements of earlier Elsiane releases, but this time more organic in instrumentation and atmosphere while retaining vivid details and rich imagery. Moving and emotive throughout, with Elsiane’s unique soulful vocals carrying listeners through peaks and valleys, the record is truly a complete journey filled with varying degrees of emotions in its world-class production.

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THORISSON’S PICKS

Moyka - Movies, Cars & Heartbreak

I rediscovered my love for Moyka at this year’s iceland airwaves festival in november. After seeing her live I saw she had also released a new album this year. That was a good week.

Gusgus - Danceorama

GusGus have been at the forefront of Icelandic electronic music since the 90s. I’d say they’ve still got it.

Blankiflur - Cosmic Wounds

Technically an EP, but I’m going to slip it into my list because I think it’s magical.

Hania Rani - Ghosts

I don’t think I can describe Hania’s music in a way that does it justice, so I’ll just say: I really, really enjoyed this album.

Alpha Chrome Yayo - Heart Engine

Alpha Chrome Yayo's 4th album release this year. I've stopped questioning how this man is able to produce so much quality music at such a high frequency; but I love this album and I love ACY.

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ATOMIC ROBO-KID’s TOP PICKS

I'm a huge supporter of Synth' and 'Wave music of all flavours! So, compiling a top DarkSynth albums of 2023 has been very tricky for me. Given that I have listened to so much and there is so much great music out there, which you' ll discover if you're brave enough to journey deep into that rabbit hole! So, bare with me, in no particular order…

Fixions - Cybermagic Tales

I'm always impressed with Fixions work and Cybermagic Tales certainly lived up to the high expectations I have for this highly skilled, technically brilliant artist. 'Cybermagic Tales' was released in March, yet I can honestly say this has been my go to album for the last 9 months and in my eyes very well deserves to be in anyone's top 5 Darksynth releases of 2023. We bare witness to furious, blood pumping, speed driven tracks. Tracks with intricate synth work, aggression and moments of calm, amazing drum sequencing and catchy hooks has certainly left me in complete awe! 

NightWav - A Darksynth Compilation

Perhaps I'm cheating by including a compilation album in my top 5, consisting of the works of a range of artists rather than one. But, I dare anyone to find a track on here that they don't like. It's brimming with talent that all have released killer tracks aside from this compilation so it's a very worthy top 5 candidate. Let's be honest you can't go wrong with the sheer force that is Draven, Connör, Ectoplague, MASKED just to name a few! All electrifying, dark and dangerous! For me I discovered a few new artists with this album, which is what I love most! I've missed out not having any Vétu De Noir or DreamReaper in my collection previously. Go check it out, you'll find something different and a new way to get your freak on! 

Magnavolt - MOTOKO 2 

This is a deeply immersive listening experience, providing a deep dive into the dark underbelly of dystopian cityscapes. This is a well produced album filled with interesting sonics that work in transporting us into a stark future fuelled by violence. A combination of mid tempo and Cyperpunk flavours have kept me hooked. I highly recommend you tap into the mainframe release that anger and fight to the bitter end! 

Isidor - S T Y G I A N

It would be hard not to have noticed Isidor's mammoth release S T Y G I A N. It's an album that has had a ton of plays across multiple channels and rightly so! A slightly more light and sparkly release than my other best 5 of 2023! But, It would be a crime not to include it. The tracks are tightly composed, with breaks and changes that will surprise you with a nice leaning to EDM styles. This, blended with retro' 'punk accents work a real treat. A definite must listen! 

Occams Laser - New Blood III

I always look forward to a Occams Laser release and I was buzzing when New Blood III was pumped into the world. Classic fare from the Darksynth genius, with all the dark, rock-esque synth sounds That had me hooked as a fan many years ago. So many catchy, Darksynth party tunes in here. Jaw dropping song composition, melodies that effortlessly interchange and evolve, that growling bass. It's just Darksynth bliss, don't miss out!