Diamond Ace - Empty Spaces
Review by Karl Magi
Overall Album Impressions
Diamond Ace’s Empty Spaces takes listeners on a journey across a richly textured audio landscape that encompasses many styles and moods as it unfolds. It combines Diamond Ace's guitar skills with strong performances from guest artists as it travels through a wide swath of different synth based styles. There's a depth and expression within the music that draws me into this album.
The heart of Empty Spaces is Diamond Ace’s guitar playing. His skill on the instrument allows him to convey atmosphere and emotion throughout the album. He can caress the ears and fill the listener with calm or launch them forward with explosive energy depending on what the music calls for. in his hands, the guitar carries me away.
Another aspect of Empty Spaces that I enjoy is the inclusion of Roxy Fae, Mayah Camara and Lisa Marie Perkins as guest performers. All of these women have powerful voices, expressive strength and add more depth to the music. I enjoy the way that they each capture the mood of the songs on which they perform. It was an excellent choice to include them on the album.
All of the sonic layers on this album give it a detailed sound. Each different element from his synth choices to the guitar and percussion contributes to the overall layering of the music. Diamond Ace has done an excellent job of interweaving tones, textures and timbres to create ear grabbing music.
My Favourite Tracks Analyzed
“Descending” comes into being as spaced out, floating guitar slides into the music with a relaxed feeling. Pervasive calm suffuses the music and the drums provide a steady pulse while softly trickling synth flows out in an easy-going line. The guitar entangles, filling the music with peaceful ease.
Drums add shape while rain trickles in the background. A feeling of caressing and enfolding fills the music as it carries me away to a quiet place. Raised, softly touching synth notes rush through the music while the drums and bass keep up a steady heartbeat. Above it, raised notes glimmer while water flows. The track ends on delicate guitar fading into a low end pulse.
Solid bass rumbles far below as a quick burst of bright notes flashes through to open “New Dawn.” The bass becomes insistent while hollow percussion throbs along with flaring bells. Bass tumbles and drums flourish as the track drives forward with propulsive energy.
Flashing notes vault while arpeggios twirl and the drums pulse. There's a sense of progress and new horizons that I enjoy. Now the drums and bass lock into a pulsation that adds strong motion to the track. Medium-high synth trips through with energetic life.
The drums tick and tap while flaring notes leap out and the drums keep throbbing. Intense light fills the music along with constant low end motion underneath. After drums flourish, hollow percussion comes in again and the music keeps pressing forward to a conclusion.
“Data” starts with a cymbal clash while luminescent notes rapidly tremble through the music. The tumbling notes create a textured feeling as they trip past. a solidly throbbing kick drum hits hard below the starry notes that flicker above. Guitar thunders into the music with colossal power and charges into an uplifting melody while the drums burst below.
There's inspiration and encouragement in the melody as it soars out above the rebounding percussion. The track slips into a segment in which ethereally intertwining notes float through open space with a serene quality. The bass is a deep well far below and the guitar has jazzy overtones as it tumbles through the music.
The bass undulates and now silence falls briefly. The guitar flies in again crying out with wild energy and passionate life while the drums and bass drive the music onwards. I enjoy the sense of unleashed freedom that the guitar creates as it arcs into the music. The low end has forceful motion in it as it drives on. Diamond Ace shows his guitar skills as he lets loose with his intertwining solo. There's a real heartbeat in the music as it presses on to a conclusion.
Glowing chords wash with lambent illumination as rich base undulates far below to open “Vibrance.” The bass ripples and drums clash before settling into a smooth beat. High above sparkling notes cascade while string-like notes interlock.
Elevated, shining synth carries a soothing melody out over the smoothly pulsing low end. I enjoy the way in which the sparkling notes add tender light. Angular bass shapes the music and the drums keep bursting underneath.
Chiming notes ring out with flashing light as the track moves forward. There's a feeling of constant gliding and washing motion as the track sales onwards. The music falls silent with lightly touching drums and gleaming chords.
“Say That You Love Me” commences as luscious bass rumbles quietly below intertwining, delicate notes that flow with soothing emotion touching them. Now huge drums add direction to the music as Roxy Fae’s passionate and heart touching voice sings wordless vocals.
Glistening light shines from an elevated synth that echoes out as Roxy Fae's expressive voice captures the need and love in the lyrics. Intensely shining synth fills the music with illumination as the smooth drums add shape to the music.
The vocals have a unique flavour and I am drawn towards the deep emotion flowing from the caressing vocal melody. Diamond Ace’s guitar cries out with intense, touching emotion suffusing every note. the low end keeps up the heart beat and bass forms a rich well far below. The guitar pours out affection and desire as the song draws to a close.
Our storyteller asks how the song's subject could walk into a place and "your eyes get wider when you see me.” She wonders how the other person could look at her face and think she was the thing they were missing.
She questions how it is that the other person could touch her hand and think “you understand every facet of my being.” She questions how the song's subject could think they know her and asks how the other person could say they love her.
The narrator points out that she's only known the song's subject for a short while. It makes her wonder how she can "look at your eyes and see time stretching out in front of me.” She goes on to ask why it is that she can lay in the other person's bed and “feel more at home than I've ever felt.” She's amazed by the way in which the song's subject has broken through her shell.
“Nothing Stays The Same” comes to life as splashy, sharp edged drums explode into the music while shivering, reverberating synth trembles into the music. Fragile, tentative guitar moves gently as it carries a meditative, peaceful melody while the drums wrap out and the bass moves with luscious weight below.
Diamond Ace’s guitar wraps around my ears, embracing me with melancholy and tender emotion. The drums fade away as the guitar reaches out, bass throbbing with power. After the drums come in with energetic pulsing, the guitar returns for a moment with a settling and lightly touching feeling.
Now the more powerful sounding guitar moves with the dynamic feeling before again sliding into a melody that draws me close and soothes me as it unfolds the contrast with the clean drums is strong. The guitar cries out again, unfurling with soaring emotion that carries the song to an end.
Bell-like notes twinkle out through the music as a hi-hat ticks to start “Trip To Nowhere.” The guitar forms a steadily interlocking pulse before drums hit and solid base starts to throb out.
The brilliant notes add a steady, raised sparkle as the bass undulates. Now the drums keep pulsing along with the deep bass as shining notes flicker. The guitar carries a dynamic melody with a feeling of floating and journeying as piano-like notes move underneath.
The bass pushes on as the diaphanous guitar dances and gleams while the drums shape the music. if there's a brief record scratch, while glittering notes all cascade together and then the guitar comes in again with the melody that has energy and a feeling of exploration in the music. The track ends on light-filled notes glowing out above the drums as it bends and twists to an end.
“Running” begins as flashing synth leaps out above smoothly rippling bass, growing in strength. The kick drum adds a solid pulse and Mayah Camara’s vocals come in with smooth flow and emotion. Chimes flit past with luminosity shining from them.
I enjoy the way in which Mayah Camara captures the emotion in the lyrics with intense feeling. Blaring notes continue to add more brightness to the music while the low end presses forward. The drums keep bursting while the crystalline chimes flicker past.
Conviction and confidence fill the vocals, as they speak of taking a new step forward. The bass keeps undulating and the gleaming notes jump out above the impassioned vocals. Diamond Ace's guitar rings out, slightly sharp-edged as it intertwines and cries out with intricate notes weaving together to create a sense of boundless motion.
The vocals return with the chorus, yearning for a better future. The song keeps pulsing forward with shining chimes and powerful guitar. The song ends on bass pulsing, the guitar echoing out and Mayah Camara expressing herself with real feeling.
The storyteller says that she needs a chance to breathe out in her desperation because “I've been through the suffocation of holding back.” She goes on to say that in anticipating exploration, she has the affirmation that she's on the right track.
Our narrator says that she's been running away from everything while “running to almost anything.” She says that she's running towards her destiny while trying to build a legacy for herself.
Now the storyteller wants “a new situation with no limitations." She wants to explore a different destination. She goes on to say that she doesn't need any complications and she's got no hesitation, she just wants to be elevated more.
As the song ends, she goes on to say “everything I've known, I'm ready to leave behind.” Nothing in her life was her own and everything felt like it was by design. Now she'll redefine who she is and she's confident that will happen with success.
A tight guitar line repeats and grows in volume as a wandering synth pattern twists through the music and bass grows in power to open “The Warriors [March Of The Robots]. ” The drums burst while Diamond Ace sends his guitar flying out in an inspiring melody. Lisa Marie Perkins sings the dark vocals with intense expression as the gigantic drums pound.
There's a sense of strength in the vocals that captures the feeling in the words well. Shivering notes dance by as the low end drives on. The guitar adds blazing luminosity as Lisa Marie Perkins catches the lyrics in her voice.
Now the guitar twists again before the massive drums throb and twirling notes interlock in the distance. There's an ominous feeling in the lyrics. the guitar leaps out for a moment before the talk pulse spins. Dominating percussion pounds on while the guitar intertwines.
Our narrator talks about how the darkness in their minds “creates the chaos of our memories.” She says that they're stuck in a time loop with nowhere to go. There's a void in their heads that “destroys everything of who we are.”
The storyteller says that they'll rise up and stand tall because they're the warriors. She creates a vivid image and she talks about their “memories chained to the ground, silent faces on the walls for days.”
The robots look back at who they were and are driven to cut the cords that bind them and escape.
“Too Soon Pt. 2” commences as bass rushes underneath while a tenderly flowing synth slips past. Broad drums tap into the music to create a smooth beat while lush guitar flickers. The guitar becomes a funky pulse along with bouncing drums as slipping chords sail out into the distance.
The drums and bass have a compelling groove that I enjoy. Now bass trembles as distant sounds flip past and create peaceful feelings. Rounded notes drift and wrap around the listener. The track grows in power again as the guitar cuts in with encircling warmth.
The drums brush softly before along with sliding bass before there's a flourish of drums and the groovy pulse comes in again. Washing notes slide together and float out above the percussive pulse below them. There's tranquility in this music while it is still shaped by the percussion. The music slowly fades into quiet as the track ends.
Ethereal notes call out while echoing guitar shimmers through the music in the distance to start off “Ascendance.” The bass has a haunting quality as metallic noises tremble far away. I am pervaded by melancholy feelings and the sense of something lost in this track. Piano-like notes with a widely flowing sound cry out into openness while the whole track moves with meditative calm before falling silent.
Conclusion
Empty Spaces carries me across emotional landscapes which touch me deeply as they unfold. Diamond Ace’s guitar along with the guest vocalists and his skill at layering different sonic elements pulls me into the album and holds my attention as it unfolds.
NINA + RICKY WILDE - Remixed Hearts
Written by Vero Faye Kitsuné
2023 gave us some amazing records - so much so that ABSYNTH was compelled to initiate their very first Year’s Best Record’s List. One jewel of a record was Scala Hearts, the collaborative LP by Berlin-based synthwave Queen NINA and legendary British songwriter and producer (and brother to famed pop icon Kim Wilde) Ricky Wilde, released via synthwave label titan NewRetroWave. The record smashed its way onto iTunes electronic album charts and the UK Official Downloads Charts. Now, the duo has released the follow up remix record entitled Remixed Hearts, featuring kaleidoscopic reinterpretations by a diverse lineup of synth and electronic musician-producers. What first started as a remix competition became quite a stunning, colorful end package.
'Fade Me Out' gets an up-beat dreamscape reinterpretation by synthwave artist L'Avenue, while Oscillian gives the same track an anthemic, downtempo noir drama. Wolfclub adds sparkling lights and haze to the palm tree-lined soundscapes of “LA Dreamers”, while Makeup And Vanity Set’s tasteful, minimal and trippy arpeggiated rework of 'Lovers On A Beach’ gives true retro-futurist disco vibes. Radio Wolf harkens David Lynch-esque dark noir in his reinterpretation of 'Causeway' that seems to curiously bring both The Cure and Vangelis to mind.
One of the great surprises and thrills in this remix record is the very grand, full studio ensemble reinterpretation of ‘Videotheque’ by Project K. This glorious and stunning rendition is truly more of a reimagination than a remix that would transport you to the iconic dance floor of Studio 54. And Ricky’s own remix of ‘Living In Sin’ gets an even more rocked out synth steroids against the backdrop of lush, crystalline arpeggios.
Other remixers include Steve Anderson (Brothers In Rhythm), remix maven Initial Talk (Dua Lipa, Kylie Minogue), rising Aussie synthpop sensation Brigitte Bardini, synth superstar Parallels, Slackmachine, Paul Dekeyne, TLF, Electric Penguins, Rayne Reznor, Bearly Disco, Chrisarama, and PYN.
Scala Hearts - The Remix Album* is out now via NewRetroWave. A must-have for all NINA and Ricky Wilde fans.
Dug Masters - Teleport
Review by Karl Magi
Overall Album Impressions
Dug Masters’ Teleport is full of auditory richness, mingling many fascinating synth textures with strong melodies and a luscious low end, complete with unctuous bass and propulsive drums. This album weaves powerful imagery through layered music that explores the full range of human emotion. I am drawn to the complexity and depth that is created on this album
The first thing that pulled me into Teleport are the melodies composed by Dug Masters. Each melody has a strongly defined mood in it that is expressive and nuanced. I enjoy the way in which the various synth choices help highlight the emotion or sensation in the melodies. Dug Masters has a knack for writing touching, energizing or melancholy melodies that get into your head and stay there.
Another strong component of Teleport are the varied and beautiful textures, timbres and tones that appear throughout the songs. Each synth sound helps delineate the moods, atmosphere and feelings that the compositions capture. There's a sense that Dug Masters thought carefully about each of the synths and chose them to suit the sonic profile of the different tracks. The end result is music that has richness and expressive power.
I am also impressed by the way in which this album captures feeling through instrumental music. There's a special skill in being able to take the complexity of human emotion and transform it into instrumental music. Dug Masters effectively transfers feelings directly into musical notes, driving them home with conviction.
My Favourite Tracks Analyzed
“Teleport” comes into being as extremely heavy bass flows into the music and grows in power as it shifts far below. There's a smooth, rounded synth carrying a melody that mixes an aching quality with warmth. The low end drives on with strong propulsion and a funky feeling while the synth flies out high above it.
The drums and bass create a strong heartbeat while a twirling arpeggio slips with ease. Laser-like sounds flicker through while the tambourine adds rattling percussion and the drums and bass push on. The lead synth has a sunlit quality as the melody caresses and slides while chimes sparkle. Again soothing arpeggios ripple while the darker low end drives on.
In the distance, distorted vocals float out and the percussion adds shape. Now surging notes tremble as they drive on and the twisted voice echoes out while skipping sounds move through. The main melody has a wistful, laidback feeling as the gentle, slightly pained melody carries on. The song ends on pulsing percussion and deep bass.
Arpeggios undulate in glowing waves as they grow in power through the music to open “Sukeban.” A breathy flow sweeps in along with heavily bursting drums and thickly throbbing bass. The percussion has real punch and force while the low end surges forward. After some tom hits, the main melody comes in on a medium high synth with an ethereal quality.
The melody itself is elegiac and majestic as it calls out through the music above the guiding drums and bass. I enjoy the ghostly and cosmic quality of the main melody as it moves through the music. The bass and percussion combine to add propulsion to the music. There's a wistful, free floating feeling in the slightly nasal-sounding synth as it dances out above the throbbing low end.
Drums flourish and the track moves into a segment that emphasizes the percussion well above it, raised notes shine with an aching quality. High, bending synth twists out a melody that moves with yearning well the low end presses on.
More urgent, trembling notes move through as the track progresses. The vibrating synth moves and taut, angular motion as it flows into the music. Haunting sounds travel through above the tremulous notes before the track ends.
“The Last Pharaoh of Saturna” starts off as urgently undulating, tense notes flow as a harsh crow-like sound moves along with sweeping wind to open the track. Now punching, muscled drums and bass surge forward while extended cords slip through the music. The main melody has a glistening warmth and Sense of abandon as it calls out above the hard-hitting low end.
There's a crystal shine to the main melody as it unfolds. Jumping drums and bass move with the rippling notes as a disembodied voice echoes out. Arpeggios twirl with energy as the melody, crying out on brightly shining synth. The track creates a sense of forward progress mixed with something ancient and noble.
Underneath all of the musical elements, the drums and bass have irresistible force. Sweeping noises flow and the arpeggios dance above the strength below. The distant voice echoes and we flow into a segment in which dense bass moves underneath lost sounding notes. Now the drums punch hard again and the melody grows muffled before swelling into fullness again.
I enjoy the way in which this music drives forward with intense energy. Arpeggios spin and drums throb while the bass flows and sparkling notes shimmer. The track ends on panpipe notes that cry out above an ominous void.
A soothing, gliding synth touches the music with a melody full of ache and tenderness to open “One Last Night.” Bass undulates below the broadly glowing melody that wraps around the listener’s ears with peaceful ease. The drums tick to add shape and glimmering notes cascade. Now the kick drum comes in along with the bass while scintillating notes trickle through with gentle light.
The swirling, intertwining synth has a string-like quality. Bass fades and lambent notes spin out before the low end pulsates again, chirping noises flicker through and the gently shining synth has a wistful feeling to it. Below it all the drums add weight and density. The music fills me with dreamy affection and melancholy.
There's a sense of something beautiful passing on in the music. all of the higher synth elements have a warm feeling as they move. An arpeggio turns in tremulous motion as the drums hit hard again. There's an expansive, echoing quality as distant notes keep arpeggiating and the main synth slides as it sings the dreaming melody out to an end.
“Nuclear Weapon” commences as threatening bass flows out with shadowy intent as razor-edged notes shiver in the distance. Now the heavily throbbing drums press on with irresistible force. Arpeggios circle, revolving in constant motion while trembling, lambent notes shiver out as a tambourine adds rattling percussion.
The low end has a shadowy drive to it as siren-like notes ring out. After a drum flourish, choral synth moves with fragile, floating arpeggios that spin out while the drums shudder below. The trembling, fragile notes dance and stutter while the drums and bass provide an unstoppable force.
The vocal-sounding synth calls out while the brilliant arpeggios twirl, adding to the sense of progress of the music. The drums have a crisp quality while sirens ring out. Angular, medium-high synth carries the noble, ancient sounding melody. I enjoy the constant heartbeat in this music as it moves. Tremulous notes vibrate out as a song draws to a close.
Easy going drums burst while bass undulates as smoothly moving synth gently floats to open “Obsesión.” Now metallic percussion adds another layer while the tender synth unfolds. The whole song grows in strength with the massive drum beat adds support. The lead synth glimmers as it carries the heartfelt, touching melody above the gigantic low end.
A touching, tender melody unfolds with a dreamy feeling as the low end keeps shaping the music. There's an ethereality in the main melody that adds to its emotional quality. I also enjoy the lush illumination provided by the main synth. The drums tick while arpeggios circle, echoing out of the space along with gigantic bass.
Silky smooth drums burst while the low end is joined by a glistening higher synth pulse. In the distance, delicate piano notes drift and the drums and base pulsate. The track ends on wandering, gentle notes echoing out into space.
“El Canción Del Ave” begins as a desolate wind sweeps and a lone bird calls out. There's a sense of emptiness and desertion in the music as a haunted synth drifts through the track. The melody that forms on the spectral synth has a pain, lost quality to it before the drums come into create a steady heartbeat underneath it.
Bass swirls to add more depth before sunny chimes flicker through as the drums keep guiding the music. Fluttering digital sounds flash past while arpeggios circle through and sparkling notes flit out. Wind slides past while the drums guide the music with strength and the bass creates a deep well underneath.
I am drawn towards the ethereal, hovering sensations that the music creates. The drums are crisp and clear as they shape the music and there's a sense of drifting over a wide open landscape as the track evolves. A fluting melody comes in that trembles with overtones of melancholy, but also with a sense of freedom and airy motion.
The breathy notes drive on above the pulsating low end, creating feelings of timeless power while the cry of a bird sounds again. The track ends with the throbbing low end and ethereal sounds floating out into silence.
Conclusion
Teleport mingles many ear-grabbing sounds with strong melodic writing and as it travels across the broad terrain of human emotion. I enjoy the craft with which Dug Masters creates music here.
BAD GUYS GET DEAD - Resistor
How do obtain the music you listen to? Purchase, stream, physical or digital formats? A combination of them all, or do you download from a Torrent provider? Do you take notice of piracy legislation? Do you seed copyrighted material to others? Well, thats just a couple of concepts Bad Guys Get Dead considers with his newest EP 'Resistor'. In Fact, at the time of writing this review he has unleashed 'Resistor' via P2P and the only other means of listening comes with a hefty price tag of $500. This EP is mighty fine, in a host of ways, but I just don't have the means to purchase it. Looks like I'll just have to obtain it the other way. Or should I?
What is the price of art? it sure does have a value, art in all it's forms has the power to make us think and to make us question and the creators of art surely are worthy to be heralded as leaders. At the very least they deserve to be paid for their work!
The release strategy alone tells you that this mostly dark, bass fueled cyberpunk series of tracks sets out to provoke conversation around piracy, Internet addiction, reliance upon, being watched by and controlled by technology. This is the catalyst sowing the seed for dystopia.
Anyway, let's get down to review ‘Resistor’, by Bad Guys Get Dead.
Cybersecurity protocol is initiatiated as we enter 'The Scanner', reading our thoughts to detect any threat to the system that has been imposed upon us. Spoken samples and a heavy, almost Nu Metal sludgy guitar riff drags us through the security check. The sliced vocal sample helps those synaptic thoughts to flow, whilst that looped riff appeases our more primitive side. We shouldn't be scared if we have nothing to hide. But, honestly who doesn't! So beware those secrets will be detected!
'Hyperconvergence' ups the pace with toe tapping ferocity! The drum samples and sequencing are tight, and the explosive kicks get that adrenaline pumping. The structure maintains that Nu Metal edge and introduces new sonic elements, namely synth work. The higher notes work nicely with the metal style thumping drum work and fuzzy bass tones.
Deep, groovy, slap like bass introduces us to 'Information Superhighway' and the vocal samples remind us of the addictive qualities of the Internet, where reality merges with virtual realities. The ensuing coma places us in real danger numbing our emotions, separating us from family and friends like any other narcotic. That said, this track has a fun, at times experimental, composition where the sounds of modems and distorted samples are positioned at the forefront of the mix and lead the listener to contemplate the intrusion, the hold Internet use has on their lives.
Get those engines started, '7000RPM' is required here! This track brings a different flavour to the album, a much more outrun feel with mysterious dark layers of Trance as we embark on a late night drive. The latter third of the track turns slightly darker with a vocal sample to cement the essence of the track, we need to prepare for 7000 RPM. I really enjoyed that 90's coated dance music with that cool tone and pace of an Outrun composition.
'Dying Time' is here, as is the stark dystopian soundscape we are thrusted inside! High adrenaline sonics, reminiscent of an intense action scene from an 80's movie, provide the thrills to this track! In fact this would sit nicely as the soundtrack to Mad Max: Beyond The Thunderdome! After all, that's where the vocal samples have been borrowed from and would be my preferred track if I had to fight to the death with a sledgehammer or chainsaw! That sense of pent up aggression is captured very nicely by Bad Guys Get Dead.
I'm afraid I know next to nothing about Stranger Things, so it's tricky for me to comment on the appropriateness of the track: The Love Theme From Stranger Things Season 10'. However, what a can say is this track could easily be a soundtrack to a 80's movie, telling a story of friendships lost and found, true loves and passion. A very chilled Synthwave track and a great demonstration of the versatility of the artist. Skillfully done!
Slow riffs interact with the perfectly timed deep drum work. Spectral crackling sounds assist in creating an eerie horror mood This works very well indeed with the accompanying rock style drum patterns and evolving melody.
'Resonance of the Cyberblade' starts with a earsplitting electronic 'zing' as the Cyberblade is drawn, drums roll and synth guitar sounds strut forward propelling us into this no holds barred battle! This is an awesome dark Synthwave / Shredwave affair that gains an increasing darkness and ferocity as the track progresses.
Conclusion
Overall, 'Resistor' is cleverly composed, with a nice variety of Retrowave flavours and the occasional helping of a range of 90's toppings. There's lots of vocal samples and interesting sonics in this EP, where you'll experience an array of Synth genres. Starting heavy with deep grooves, flavours of Hip Hop (almost) and Nu Metal intertwined so well. Then, through to Chillwave and finally Shredwave.
Whether your after music as food for thought or seeking music to simply enjoy 'Resistor' has a lot to offer. The value of music is up for question. Is music valued in a monetary way or is music valued for the way it can make us move, feel and think? This EP keeps you guessing, each track brimming with surprises. Tom Hanks once said life is like a box of chocolates, which is also an apt way to describe 'Resistor'! You don't quite know what to expect, until you taste it. But, when you do boy it tastes great! So, tuck in! Get listening to this by any means necessary!
Torrent link: https://badguysgetdead.com/resistor
Bandcamp: https://badguysgetdead.bandcamp.com/album/resistor
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